Garden City, New York-NAPW honors Eve J. Blohm as a 2013/2014 Professional Woman of the Year for leadership literature and art with this prestigious distinction. As the largest, most-recognized organization of women in the country, spanning virtually every industry and profession, the National Association of Professional Women is a powerfully vibrant networking community with over 600,000 members and nearly 400 local chapters. "I started doing my art in 1965," says Ms. Blohm. "I recently created a catalog of some of my artwork that is for sale." Whether it's peering through the lens of her camera or dipping her brush into watercolors, Ms. Blohm vividly brings images to life. From collages to watercolors to photographs, she enjoys creating art for herself and for others. The artist has recently tried her hand at working in a new medium, felt-tip pen drawing. "I love it. It's like watercolor, only you use ink. It's beautiful," she said.

In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people’s lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana’s landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished—communities including the author’s own. Each section in the memoir is a journey to a fascinating place, but it’s also a search for LeJeune’s own sense of belonging. The book is an adventure and a pilgrimage across Louisiana to explore its future and to reckon with feelings of loss and anxiety accompanying climate disasters. LeJeune travels to Louisiana’s geographic center to learn what waits there. He chases the ghosts of Hot Wells, a shuttered healing resort, and he kneels at the tomb of folk saint Charlene Richard. With every adventure, every memory, he ends up much closer to home.

Sometimes only words could unveil truths that we have forgotten Sometimes only letters can pierce through shields that we hide behind Sometimes only sentences written at the depth of night can bring forth light Sometimes only poetry can heal the wounds that life leaves behind (Taher Adel)

Richard struggles to find his missing wife Kahlan in spite of the bizarre fact that no one else seems to believe she actually exists or that he is married to her.

"Madonna of the Snows" represents the obsessions and dissatisfactions that result from the love relationship illustrated in the poem. "A Mass for Desdemona" deals with love, religious conflict, uncertainties of identity, and the difficulties of emotional needs that overpower personal standards.

This is the story of a home. A story rooted in love. The story of a poet born of an Irish jazz musician and a Jamaican go-go dancer, an absent father and a resilient mother. In Springfield Road, Salena Godden evokes an era when oranges seemed bigger and summers were longer, a world of half-penny sweets, free school milk, hand-me-downs and Thatcher’s Britain, for those too young to remember and for those old enough to know. For Salena, it was a time for learning that life can be brutal with first betrayals and first losses, but also that there are endless riches to uncover in the world. In equal parts powerful, tender and fearless, Springfield Road shows us where, in a world full of shadows, hope is to be found.