The 4th century BC. A village in Syria. A woman, dressed in rags and covered in blisters and sores, is seen approaching on the road coming from the north. Suspicious of her, the villagers shout and throw rocks at her. She is struck and falls. She seems dead . . . Her story encompasses one of the great collective acts of heroism of the ancient world. She was the mistress of Xenophon, a general in the vast army of ten thousand Greek mercenaries from virtually every Greek city state that was employed by Cyrus the Younger, in his quest to seize the throne of Persia from his brother, Artaxerxes II. In The Lost Army Valerio Massimo Manfredi, one of the world's historical experts, has created a rip-roaring adventure seen from the perspective of the women who accompanied the soldiers on their long journey. An intense account of the most celebrated march in man's history, by the acclaimed author of the Alexander trilogy.

A high-ranking general's gripping insider account of the U.S. wars in Iraq and Afghanistan, and how it all went wrong. Over a thirty-five-year career, Daniel Bolger rose through the army infantry to become a three-star general, commanding in both theaters of the U.S. campaigns in Iraq and Afghanistan. He participated in meetings with top-level military and civilian players, where strategy was made and managed. At the same time, he regularly carried a rifle alongside rank-and-file soldiers in combat actions, unusual for a general. Now, as a witness to all levels of military command, Bolger offers a unique assessment of these wars, from 9/11 to the final withdrawal from the region. Writing with hard-won experience and unflinching honesty, Bolger makes the firm case that in Iraq and in Afghanistan, we lost -- but we didn't have to. Intelligence was garbled. Key decision makers were blinded by spreadsheets or theories. And, at the root of our failure, we never really understood our enemy. Why We Lost is a timely, forceful, and compulsively readable account of these wars from a fresh and authoritative perspective.

An adrenaline-packed thriller and archaeological adventure by Paul Sussman, an outstanding new storyteller In 523 BC, the Persian emperor Cambyses dispatched an army across Egypt's western desert to destroy the oracle of Amun at Siwa. Legend has it that somewhere in the middle of the Great Sand Sea, his army was overwhelmed by a sandstorm and destroyed. Fifty thousand men were lost. A mutilated corpse washes up on the banks of the Nile. An antiques dealer is murdered. An eminent British archaeologist is found dead at the ancient necropolis of Saqqara. At first, the incidents appear unconnected. Inspector Yusuf Khalifa of the Luxor police is suspicious, however. And so too is the archaeologist's daughter, Tara Mullray. As each seeks to uncover the truth, they find themselves thrown together in a desperate race for survival—one that forces them to confront not only present-day adversaries but also ghosts from their own pasts. From a mysterious fragment of ancient hieroglyphic text to rumors of a fabulous lost tomb in the Theban Hills, from the shimmering waters of the Nile to the dusty back streets of Cairo, Khalifa and Mullray are drawn ever deeper into a labyrinth of violence, intrigue, and betrayal. It is a path that will eventually lead them into the forbidding, barren heart of the western desert, and the answer to one of the greatest mysteries of the ancient world. At once an adrenaline-packed thriller and a wonderfully evocative archaeological adventure, The Lost Army of Cambyses marks the debut of an outstanding new storyteller.

When the U.S. Army drafted Elvis Presley in 1958, it quickly set about transforming the King of Rock and Roll from a rebellious teen idol into a clean-cut GI. Trading in his gold-trimmed jacket for standard-issue fatigues, Elvis became a model soldier in an army facing the unprecedented challenge of building a fighting force for the Atomic Age. In an era that threatened Soviet-American thermonuclear annihilation, the army declared it could limit atomic warfare to the battlefield. It not only adopted a radically new way of fighting but also revamped its equipment, organization, concepts, and training practices. From massive garrisons in Germany and Korea to nuclear tests to portable atomic weapons, the army reinvented itself. Its revolution in warfare required an equal revolution in personnel: the new army needed young officers and soldiers who were highly motivated, well trained, and technologically adept. Drafting Elvis demonstrated that even this icon of youth culture was not too cool to wear the army’s uniform. The army of the 1950s was America’s most racially and economically egalitarian institution, providing millions with education, technical skills, athletics, and other opportunities. With the cooperation of both the army and the media, military service became a common theme in television, music, and movies, and part of this generation’s identity. Brian Linn traces the origins, evolution, and ultimate failure of the army’s attempt to transform itself for atomic warfare, revealing not only the army’s vital role in creating Cold War America but also the experiences of its forgotten soldiers.

Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.

A meticulously documented challenge to previous views about the extent and effectiveness of Confederate manpower in the last year of the Civil War.