Mary Louise Gill presents a bold new explanation of the fact that the dialogue which Plato promised to write on the Philosopher, complementing the Sophist and the Statesman, is missing. Gill argues that he left it unwritten in order to stimulate his readers and encourage them to work out, for themselves, the portrait it would have contained.

Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.

In Volume One of the Authors' Snarkopaedia, sentences have been painstakingly crafted together using nouns, verbs and other words, bringing you paragraphs of text. These paragraphs flow into pages of expert tips, advice and insight for authors at all levels of the publication food chain. Any book can claim to offer this type of information, but they can't give you what sets the Indies Unlimited Authors' Snarkopaedia above the rest: the "je ne sais squat" of the high decorated staff of the Snarkology Department at the Indies Unlimited Online Academy. Their groundbreaking and empirical research over the years sheds new and snarkified light on subjects ranging from book publishing and marketing to the nuts and bolts of writing and technology. If you like information to grab you by the throat and smack you in the face, the Indies Unlimited Authors' Snarkopaedia is the reference book for you.

Discover the enduring legacy and ancient hagiographical method used to recover the missing life and voice of St. Scholastica of Nursia. In The "Lost" Dialogue of Gregory the Great, Carmel Posa, SGS, applies a “disciplined imagination” and the ancient hagiographical method to recover the missing life and voice of St. Scholastica of Nursia. Drawing on a wide range of scholarship, including Gregory the Great’s four famous dialogues, biblical models, and the Rule of Benedict, Posa follows a technique similarly used by Saint Gregory himself to create an engaging and credible account of Scholastica’s life. In The "Lost" Dialogue of Gregory the Great, Posa’s use of the hagiographical method as a “disciplined imagination” serves as a tool for the repositioning of women’s lives in history. By presenting a “lost life” of Scholastica into the hagiographic record of Christianity, she gifts the Church for today with the story of a beloved saint that will not only inspire readers but encourage them to ponder more searchingly the sources of the wisdom contained in Benedict’s remarkable Rule. Carmel’s careful methodology also offers readers an image of Scholastica that has a spiritual standing apart from her famous and holy brother. She retrieves the enduring legacy of Scholastica from the margins and places her into the center of monastic history, in particular and church history, in general. Oblates, Benedictines, and those interested in monastic spirituality will also be challenged to reconsider those women whose voices have been erased, devalued, or ignored over the centuries and inspired to “listen carefully” to the whispered words and wisdom of women as we mark our journey together into a future full of hope, with Christ and his Gospel for our guide.

THE INTERNATIONAL BESTSELLER: A radically new way of thinking about depression and anxiety 'A book that could actually make us happy' SIMON AMSTELL 'This amazing book will change your life' ELTON JOHN 'One of the most important texts of recent years' BRITISH JOURNAL OF GENERAL PRACTICE 'Brilliant, stimulating, radical' MATT HAIG 'The more people read this book, the better off the world will be' NAOMI KLEIN 'Wonderful' HILLARY CLINTON 'Eye-opening' GUARDIAN 'Brilliant for anyone wanting a better understanding of mental health' ZOE BALL 'A game-changer' DAVINA MCCALL 'Extraordinary' DR MAX PEMBERTON Depression and anxiety are now at epidemic levels. Why? Across the world, scientists have uncovered evidence for nine different causes. Some are in our biology, but most are in the way we are living today. Lost Connections offers a radical new way of thinking about this crisis. It shows that once we understand the real causes, we can begin to turn to pioneering new solutions – ones that offer real hope.

Atlantis was first introduced by the Greek philosopher Plato in two "dialogues" he wrote in the fourth century B.C. His tale of a great empire that sank beneath the waves -- a tale that Plato never even finished -- has sparked thousands of years of debate over whether Atlantis really existed. But did Plato mean his tale as history, or just as a parable to help illustrate his philosophy? In "The Atlantis Dialogue," you'll find everything Plato said about Atlantis, in the context he intended. Now you can read and judge for yourself! //////////////////////////////////////// "An easy read . . . Provides a good starting point for anyone wanting to learn more about the Atlantis myth." -- Judy Justice, Midwest Book Review, Mar. 2002 (Reviewer's Choice) //////////////////////////////////////// SAMPLE CRITIAS: Consider then, Socrates, if this narrative is suited to the purpose, or whether we should seek for some other instead. SOCRATES: And what other, Critias, can we find that will be better than this, which is natural and suitable to the festival of the goddess, and has the very great advantage of being a fact and not a fiction? How or where shall we find another if we abandon this? We cannot, and therefore you must tell the tale, and good luck to you; and I in return for my yesterday's discourse will now rest and be a listener. CRITIAS: Let me begin by observing first of all, that nine thousand was the sum of years which had elapsed since the war which was said to have taken place between those who dwelt outside the pillars of Heracles and all who dwelt within them; this war I am going to describe. Of the combatants on the one side, the city of Athens was reported to have been the leader and to have fought out the war; the combatants on the other side were commanded by the kings of Atlantis, which, as I was saying, was an island greater in extent than Libya and Asia, and when afterwards sunk by an earthquake, became an impassable barrier of mud to voyagers sailing from hence to any part of the ocean. The progress of the history will unfold the various nations of barbarians and families of Hellenes which then existed, as they successively appear on the scene; but I must describe first of all Athenians of that day, and their enemies who fought with them, and then the respective powers and governments of the two kingdoms.