A timely and compelling argument for a revitalized and restructured global politics The future seems increasingly uncertain. Our democracies are failing to prevent financial crises, energy shortages, climate change, and war—so how can we look to the future with confidence? Jan Zielonka argues that it is democracy’s shortsightedness that makes politics stumble in our increasingly connected world. With our governments still confined to the borders of nation-states, defending the short-term interests of present-day voters, the consequences for future generations are dire. In this incisive account, Zielonka makes a bold case for a new politics of time and space. He considers how democracy should adjust to the world of high speed, and he questions our everyday experiences as citizens: Is it acceptable for authorities and firms to monitor our whereabouts? Why is the distribution of time and space so unequal? And, most crucially, can we construct a new system of governance that will allow us to plan ahead with certainty?

It's been a year since Elena Martinez and her boyfriend Adam first got involved with Aether Corporation, and they’re trying to move on with their lives. But when Adam goes missing, Elena realizes that he’s done the unthinkable: he went to Aether for help developing his cure for cancer. Adam betrayed her trust and has traveled into the future, but he didn’t come back when he was supposed to. Desperate to find him, Elena decides to risk future shock, and time travels one more time. This future is nothing like they’ve seen before. Someone has weaponized Adam’s cure and created a dangerous pandemic, leading to the destruction of civilization. If Elena can’t find Adam and stop this, everyone is at risk. And someone will do anything to keep her from succeeding.

'A Japan that never was, a future lost, ghosts that are not dead ... not even a partial list of ingredients can do justice to this wonderful cake of a book ... A time-defying thriller' ROBIN HOBB Strange things are happening in Tokyo. As war with Russia looms, the city is plagued by strange electricity storms, while the staff at the British Legation have gone on strike, claiming that the building is haunted. Thaniel Steepleton is sent over from London to act as interpreter, bringing with him his partner, Keita Mori the watchmaker, their adopted daughter, Six, and Mori's clockwork octopus, Katsu. Thaniel is dazzled by life in Tokyo, but he feels increasingly out of his depth – especially when he meets Takiko Pepperharrow, and learns of her connection to Mori. But then Mori disappears, and Thaniel and Takiko's paths diverge as they desperately try to find him. As their searches lead them to snow-steeped prisons and mountainside shrines, Thaniel is faced with the terrifying revelation that Mori's powers are no longer enough to save them – and that the watchmaker's time may have run out. Natasha Pulley's extraordinary new novel, The Kingdoms, will be available in Spring 2021.

In 1883, Thaniel Steepleton returns to his tiny flat to find a gold pocketwatch on his pillow. But he has worse fears than generous burglars; he is a telegraphist at the Home Office, which has just received a threat for what could be the largest-scale Fenian bombing in history. When the watch saves Thaniel's life in a blast that destroys Scotland Yard, he goes in search of its maker, Keita Mori a kind, lonely immigrant who sweeps him into a new world of clockwork and music. Although Mori seems harmless at first, a chain of unexpected slips soon proves that he must be hiding something. Meanwhile, Grace Carrow is sneaking into an Oxford library dressed as a man. A theoretical physicist, she is desperate to prove the existence of the luminiferous ether before her mother can force her to marry. As the lives of these three characters become entwined, events spiral out of control until Thaniel is torn between loyalties, futures and opposing geniuses. Utterly beguiling, The Watchmaker of Filigree Street blends historical events with dazzling flights of fancy to plunge readers into a strange and magical past, where time, destiny, genius - and a clockwork octopus - collide.

In Search of Lost Futures asks how imaginations might be activated through practices of autoethnography, multimodality, and deep interdisciplinarity—each of which has the power to break down methodological silos, cultivate novel research sensibilities, and inspire researchers to question what is known about ethnographic process, representation, reflexivity, audience, and intervention within and beyond the academy. By blurring the boundaries between the past, present, and future; between absence and presence; between the possible and the impossible; and between fantasy and reality, In Search of Lost Futures pushes the boundaries of ethnographic engagement. It reveals how researchers on the cutting edge of the discipline are studying absence and grief and employing street performance, museum exhibit, anticipation, or simulated reality to research and intervene in the possible, the impossible, and the uncertain.

A rollicking exploration of the history and future of our favorite foods When we humans love foods, we love them a lot. In fact, we have often eaten them into extinction, whether it is the megafauna of the Paleolithic world or the passenger pigeon of the last century. In Lost Feast, food expert Lenore Newman sets out to look at the history of the foods we have loved to death and what that means for the culinary paths we choose for the future. Whether it’s chasing down the luscious butter of local Icelandic cattle or looking at the impacts of modern industrialized agriculture on the range of food varieties we can put in our shopping carts, Newman’s bright, intelligent gaze finds insight and humor at every turn. Bracketing the chapters that look at the history of our relationship to specific foods, Lenore enlists her ecologist friend and fellow cook, Dan, in a series of “extinction dinners” designed to recreate meals of the past or to illustrate how we might be eating in the future. Part culinary romp, part environmental wake-up call, Lost Feast makes a critical contribution to our understanding of food security today. You will never look at what’s on your plate in quite the same way again.

'Lost Futures' casts a detailed look at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many of these structures have since been either demolished or altered beyond recognition. In this volume, photographs taken at the time of the buildings' completion are accompanied by expert research examining their design and creation, the ideals they embodied and the reasons for their eventual destruction. 'Lost Futures' covers many buildings, from housing to factories, commercial spaces to power stations, and presents the work of both iconic and lesser-known architects. The author charts the complex reasons that led to the loss of these postwar projects' ambitious futures, and assesses whether some might one day be restored. AUTHOR: British architecture historian and curator Owen Hopkins is the author of several popular architecture books, including 'Reading Architecture: A Visual Lexicon', 'Architectural Styles: A Visual Guide' and 'Mavericks: Breaking the Mould of British Architecture'. His scholarly interests have ranged from Nicholas Hawksmoor's Baroque grandeur to Alison and Peter Smithson's Brutalism, taking in everything in between.