Losing It All to Sprawl is the poignant chronicle of award-winning nature writer Bill Belleville and how he came to understand and love his historic Cracker farmhouse and "relic" neighborhood in central Florida, even as it was all wiped out from under him. Belleville's narrative is eloquent, informed, and impassioned, a saga in which tractors and backhoes trample through the woods next to his home in order to build the backbone of Florida sprawl--the mall. As heavy machinery encircles Belleville and his community--the noise growing louder and closer, displacing everything Belleville has called home for the past fifteen years--he tells a story that is much older, 10,000 years older. The story stretches back to the Timucua and the Mayaca living in harmony with Florida's environment; the conquistadors who expected much from, but also feared, this "land of flowers"; the turn-of-the-century tourists "modernizing" and "climatizing" the state; the original Cracker families who lived in Belleville's farmhouse. In stark contrast to this millennia-long transformation is the whiplash of unbridled growth and development that threatens the nearby wilderness of the Wekiva River system, consuming Belleville's home and, ultimately, his very sense of place. In Florida, one of the nation's fastest growing states (and where local and state governments encourage growth), balancing use with preservation is an uphill battle. Sprawl spreads into the countryside, consuming not just natural lands but Old Florida neighborhoods and their unique history. In Losing It All to Sprawl, Belleville accounts for the impacts--social, political, natural, personal--that a community in the crosshairs of unsustainable growth ultimately must bear, but he also offers Floridians, and anyone facing the blight of urban confusion, the hope that can be found in the rediscovery and appreciation of the natural landscape.

Updated to include a new chapter about the influence of social media and the Internet—the 20th anniversary edition of Bowling Alone remains a seminal work of social analysis, and its examination of what happened to our sense of community remains more relevant than ever in today’s fractured America. Twenty years, ago, Robert D. Putnam made a seemingly simple observation: once we bowled in leagues, usually after work; but no longer. This seemingly small phenomenon symbolized a significant social change that became the basis of the acclaimed bestseller, Bowling Alone, which The Washington Post called “a very important book” and Putnam, “the de Tocqueville of our generation.” Bowling Alone surveyed in detail Americans’ changing behavior over the decades, showing how we had become increasingly disconnected from family, friends, neighbors, and social structures, whether it’s with the PTA, church, clubs, political parties, or bowling leagues. In the revised edition of his classic work, Putnam shows how our shrinking access to the “social capital” that is the reward of communal activity and community sharing still poses a serious threat to our civic and personal health, and how these consequences have a new resonance for our divided country today. He includes critical new material on the pervasive influence of social media and the internet, which has introduced previously unthinkable opportunities for social connection—as well as unprecedented levels of alienation and isolation. At the time of its publication, Putnam’s then-groundbreaking work showed how social bonds are the most powerful predictor of life satisfaction, and how the loss of social capital is felt in critical ways, acting as a strong predictor of crime rates and other measures of neighborhood quality of life, and affecting our health in other ways. While the ways in which we connect, or become disconnected, have changed over the decades, his central argument remains as powerful and urgent as ever: mending our frayed social capital is key to preserving the very fabric of our society.

“Marshall writes with wit, reason, and style . . . An excellent resource on the history and future of American cities.” —Library Journal Do cities work anymore? How did they get to be such sprawling conglomerations of lookalike subdivisions, mega freeways, and “big box” superstores surrounded by acres of parking lots? And why, most of all, don't they feel like real communities? These are the questions that Alex Marshall tackles in this hard-hitting, highly readable look at what makes cities work. Marshall argues that urban life has broken down because of our basic ignorance of the real forces that shape cities—transportation systems, industry and business, and political decision-making. He explores how these forces have built four very different urban environments: the decentralized sprawl of California’s Silicon Valley; the crowded streets of New York City’s Jackson Heights neighborhood; the controlled growth of Portland, Oregon; and the stage-set facades of Disney’s planned community, Celebration, Florida. To build better cities, Marshall asserts, we must understand and intelligently direct the forces that shape them. Without prescribing any one solution, he defines the key issues facing all concerned citizens who are trying to control urban sprawl and build real communities. His timely book is important reading for a wide public and professional audience.

Duany and Elizabeth Plater-Zyberk are at the forefront of the New Urbanism movement, and in "Suburban Nation" they assess sprawl's costs to society, be they ecological, economic, aesthetic, or social. 115 illustrations.

A globe-trotting, eye-opening exploration of how cities can—and do—make us happier people Charles Montgomery's Happy City will revolutionize the way we think about urban life. After decades of unchecked sprawl, more people than ever are moving back to the city. Dense urban living has been prescribed as a panacea for the environmental and resource crises of our time. But is it better or worse for our happiness? Are subways, sidewalks, and tower dwelling an improvement on the car-dependence of sprawl? The award-winning journalist Charles Montgomery finds answers to such questions at the intersection between urban design and the emerging science of happiness, and during an exhilarating journey through some of the world's most dynamic cities. He meets the visionary mayor who introduced a "sexy" lipstick-red bus to ease status anxiety in Bogotá; the architect who brought the lessons of medieval Tuscan hill towns to modern-day New York City; the activist who turned Paris's urban freeways into beaches; and an army of American suburbanites who have transformed their lives by hacking the design of their streets and neighborhoods. Full of rich historical detail and new insights from psychologists and Montgomery's own urban experiments, Happy City is an essential tool for understanding and improving our own communities. The message is as surprising as it is hopeful: by retrofitting our cities for happiness, we can tackle the urgent challenges of our age. The happy city, the green city, and the low-carbon city are the same place, and we can all help build it.

A landmark collection of essays on the intersections of visual art, cultural studies, and environmental history in America. Issues of ecology--both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues--have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism. A Keener Perception offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Thomas Cole, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm to the field of art history--a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research. In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, A Keener Perception is truly a landmark collection--timely, consequential, and controversial.

America's preservation movement has long fought the destructive force of so- called urban renewal, where highways and shopping malls rise up on the rubble of former thriving downtowns. Now communities are in the fight of their lives against urban sprawl- boundless development that devours the countryside and leaves cities and small towns in ruins-a fight that is as much about preserving our civic space as our landscape. In Changing Places, authors Richard Moe and Carter Wilkie give examples of how America's embattled towns are defing themselves against corporate giants and depressed economies, from community activists restoring pride in their innercities to municipalities breathing life back into historic downtowns. At once cautionary and redemptive, Changing Places has been hailed by David McCullough as "a call to arms that should be read by everyone alarmed by the rampant devastation of our cities, our towns, our history, and our way of life."