'Those familiar with Patricia Highsmith's particular brand of sinister storytelling will recognize the mayhem Fielding so cunningly unleashes' Publishers Weekly Charley Webb is a smart, beautiful single mother-of-two who left New York City in search of her own version of paradise in Palm Beach, Florida. She now writes a column for the Palm Beach Post, in which she shares her views on sex, shopping and the more entertaining goings-on in her neighbours' lives - much to their disgust. Charley knows she's not the most popular person in town - but then she receives a letter from a genuine fan. Jill Rohmer is a young woman serving time on death row for the murders of three small children - and she wants Charley to write her biography. For there are many hidden truths surrounding the murders Jill is now ready to reveal, including the existence of a mysterious man she calls Jack. But as Charley begins to delve into Jill's background, she starts receiving threatening, anonymous letters regarding her own children. Jill is safely locked away - so does this mean the elusive Jack is still out there somewhere? Charley finds herself in a desperate race against time to unlock the secrets behind the murders before her own family becomes the killer's next target.

This is a book written as it was being lived. This is not a medical journal written as a result of research nor is it a memoire written years or decades in retrospect. These are our experiences with autism spectrum disorder and the trials and tribulations our family has been through, almost in real time. The reader is taken into our emotions: the happiness, sadness, terror, and endless love that our family has experienced since diagnosis. You will meet our son, diagnosed just after his fifth birthday, and the many others that have helped us along this journey. Including, a very special friend that has become a member of our family and completely inseparable. The reader is taken into our home and experiences some of the same coping mechanisms and techniques that we have utilized to make this condition livable and life a little easier. I give my unsolicited advice as to how to make it through some of the most challenging times of this condition. This book is a reference for families living with autism so that they know they are not alone in this struggle, there are ways to learn and cope with this condition, and there are many resources available to help them. Make no mistake, if someone you know is diagnosed with autism, the whole family lives it

During their twenty-five years of marriage, Charley and Janet traveled all over the world - accompanying student rocket engineers to competitions, viewing solar eclipses, taking hot air balloon rides and cruises and always enjoying each other’s company in Asia, Europe, South America, Canada and the U.S. After Charley officially “retired” from his aerospace endeavors, he became involved in CSULA and CSULB as a judge in competitions and then as an adjunct professor at CSULB. He taught the rocket engineering students how to design, build and test rockets for competitions like IREC - International Rocket Engineering Competition. Janet became the “grandmother” of all the students making sure they had water, snacks and sunscreen! In later years, our telescopes were donated to schools and given to students.

The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.