This three-stage new edition of this Spanish course for beginners leads to public examinations. Experienced practitioners and users of !Vaya! have been consulted and their suggestions have been incorporated into this new edition. It has been written to meet the requirements of the National Curriculum and the 5-14 Guidelines. Stages 1, 2 and 3 of !Vaya! Nuevo should prepare students for GCSE/Key Stage 4 examinations and Standard Grade.

La Nave del Recuerdo es una recopilación de varios de los mejores poemas y reflexiones del autor realizadas a lo largo de su dilatada vida. El amor y la familia aparecen como protagonistas del libro.

El camino del Sufi presenta una incomparable variedad de materiales ensenantes y escritos clasicos provenientes de las principales Ordenes Sufis, los cuales conforman un curso basico de estudio Sufi.El autor comienza con los aspectos externos de la ensenanza que probablemente resulten desconcertantes para el estudiante que recien se adentra en el tema.Entre otras cuestiones, Idries Shah considera las diversas actitudes historicas y del presente para con las ideas Sufis y las evidencias que muestran su absorcion tanto por parte del cristianismo del medioevo como tambien del hinduismo y el misticismo judio; las modernas ensenanzas filosoficas tampoco estan exentas de dicha influencia. Esencialmente, el libro esta destinado a iluminar e ilustrar diversos aspectos de las actividades y practicas Sufis que son relevantes al mundo contemporaneo.

Lumbre de fe is the most extensive and articulate polemic text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with the secular authorities for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.