Es una obra que plantea la tesis, del porque somos hijos del Sol, ya que el 99.85% de la materia existente en nuestro sistema solar la conforma el Sol y el porcentaje restante que incluye a los planetas, satélites naturales, cometas y asteroides son tan solo una pequeña parte de su emanación. Es decir, que todo lo que absolutamente nos rodea es materia solar y por consecuencia se ve afectada en las diferentes etapas por la cercanía o lejanía de nuestro planeta al sol. Así como en la primavera la naturaleza reverdece debido a esta influencia solar, vemos que en el invierno las mismas personas son más susceptibles a enfermedades e incluso a la muerte, pues de ahí proviene el dicho popular “en enero y febrero desviejadero”. ADQUIERELO AQUI Después de hacer un breve análisis de nuestro sistema solar, de nuestra naturaleza terrestre y considerar las diferentes culturas ancestrales como la Maya, Azteca, Inca y Egipcia donde consideraban al Sol como el centro de sus vidas, surge la investigación del primer monarca en la historia de la humanidad que establece el monoteísmo en la XVIII dinastía faraónica egipcia. Encontrándose involucrados los nombres de Tutmois IV, Amenosis III y Amenosis IV, que posteriormente cambiara su nombre por el de Akhenatón, en una relación muy interesante con los personajes bíblicos que conforman la trinidad mosaica, donde las coincidencias rebasan en gran medida la casualidad, marcándose la posibilidad de que dichos personajes del antiguo testamento en realidad sean tan solo una alegoría de los hechos que se presentaron en Egipto

The Return of the Native offers a look at the role of preconquest peoples such as the Aztecs and the Incas in the imagination of Spanish American elites in the first century after independence.

Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate—and to some extent recreate—Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru."

Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.

The Music of Latin America and the Caribbean is the first text written on the rich musical heritage of this region specifically for the non-music major. The text is arranged by region, focusing on the major countries/regions (Mexico, Brazil, Peru, etc. in Latin America and Jamaica, the Virgin Islands, Haiti, etc. in the Caribbean). In each chapter, the author gives a complete history of the region's music, ranging from classical and classical-influenced styles to folk and traditional music to today's popular music.

DIVThe first comprehensive study of tuberculosis in Latin America demonstrates that in addition to being a biological phenomenon disease is also a social construction effected by rhetoric, politics, and the daily life of its victims./div

This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.