Winner of the 2019 PEN/Jacqueline Bograd Weld Award for Biography Winner of the Lambda Literary Award for LGBTQ Nonfiction Winner of the Shilts-Grahn Triangle Award for Lesbian Nonfiction Winner of the 2019 Phi Beta Kappa Christian Gauss Award A New York Times Notable Book of 2018 A revealing portrait of one of the most gifted and charismatic, yet least understood, Black artists and intellectuals of the twentieth century. Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary “Lorraine Hansberry: Sighted Eyes/Feeling Heart” and Imani Perry’s multi-dimensional, illuminating biography, Looking for Lorraine. After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways: challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation’s first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry’s extraordinary life—a life that was tragically cut far too short. A Black Caucus of the American Library Association Honor Book for Nonfiction A 2019 Pauli Murray Book Prize Finalist

Honorable Mention Recipient of the Modern Language Association Prize for Collaborative, Bibliographical, or Archival Scholarship Spanning from the debut of A Raisin in the Sun on Broadway in 1959 to her early death from cancer in January 1965, Lorraine Hansberry’s short stint in the public eye changed the landscape of American theater. With A Raisin in the Sun, Hansberry (1930–1965) became both the first African American woman to have a play produced on Broadway and the first to win the prestigious New York Drama Critics’ Circle Award. Resonating deeply with the aims of the civil rights movement, Raisin also ushered in a new era of Black representation on the stage and screen, displacing the cartoonish stereotypes that were the remnants of blackface minstrelsy in favor of complex three-dimensional portrayals of Black characters and Black life. Hansberry’s public discourse in the aftermath of Raisin’s success also disrupted mainstream critical tendencies to diminish the work of Black artists, helping pave the way for future work by Black playwrights. Conversations with Lorraine Hansberry is the first volume to collect all of her substantive interviews in one place, including many radio and television interviews that have never before appeared in print. The twenty-one pieces collected here—ranging from just before the Broadway premiere of A Raisin in the Sun to less than six months before Hansberry’s death—offer an incredible window into Hansberry’s aesthetic and political thought. In these conversations, Hansberry explores many of the questions most often put to Black writers of the mid-twentieth century—including everything from her thinking about the relationship between art and protest, universality and particularity, and realism and naturalism, to her sense of the relationship between Black intellectuals and the Black masses, integration and Black Nationalism, and African American and Pan-African liberation. Taken together, these interviews reveal the insight, intensity, and eloquence that made Hansberry such a transformative figure in American letters.

Based on the richest archive of witchcraft trials found in Europe, this book paints a vivid picture of life amongst the people of a small duchy on the border of France. Robin Briggs' examination of their beliefs in phenomena such as shapeshifting and werewolves proves a vital contribution to historical understanding of witchcraft.

Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative: Understanding the Black Family and Black Students shows how and why Lorraine Hansberry’s play, A Raisin in the Sun, should be used as a teaching tool to help educators develop a more accurate and authentic understanding of the Black Family. The purpose of this book is to help educators develop a greater awareness of Black children and youth’s, humanity, academic potential and learning capacity, and for teachers to develop the consciousness to disavow white supremacy, American exceptionalism, myths, racial innocence, and personal absolution within the education system. This counternarrative responds to the flawed and racist perceptions, stereotypes, and tropes that are perpetuated in schools and society about the African American family and Black students in US schools. It is deliberative and reverberating in addressing anti-Black racism. It argues that, if Education is to be reimagined through a social justice structure, teachers must be educated with works that include Black artists and educators, and teachers must be committed to decolonizing their own minds. Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative: Understanding the Black Family and Black Students is important reading for undergraduate and postgraduate courses in Educational Foundations, Curriculum and Instruction, Education Policy, Multicultural Education, Social Justice Education, and Black Studies. It will also be beneficial reading for in-service educators.

LORRAINE PASCALE is a household name with several cookery shows and a number of bestselling cookery books under her belt, plus a modelling career to boot. But what do we really know about this beautiful celebrity chef - and just who is the real Lorraine Pascale?Author Sue Blackhall reveals for the first time the truth behind Lorraine Pascale's marriage, and the story behind the colourful aristocrat who betrayed her. While Lorraine was suffering with the pain of divorce, the woman who had taken her husband was in court formally changing her name to his. The result was an intriguing clash of the Countesses, with both women determined to bear that title. However, that was not the only legacy of her marriage to a Polish Count whose wealth - and its effect on Lorraine's life - has never been disclosed before.The life of Lorraine Pascale - given up at birth, suffering abandonment both as a child and a grown woman, and fighting prejudice all the way - is a true rags-to-riches tale. Despite not having a straightforward upbringing, Lorraine has not only had a successful modelling career - after being spotted at the tender age of 16 - but she has gone on to complete the Leith's Diploma of Food and Wine, a foundation degree in International Culinary Arts in Pastry, and work in some of the most renowned kitchens of the world. Now, Lorraine has established herself as a TV personality, with her own cookery series Baking Made Easy, and is a sought-after chef.Lorraine Pascale: Supermodel Chef encompasses her rise from a housing association 'latchkey kid' to a New York penthouse supermodel, and from the insecurity she suffered as an adopted child to stardom as one of our most successful celebrity chefs. This is a must-read book.

Conrad Cohen had just finished a shift as New York City Police officer Nov. 25, 1972, when he walked into a bar and saw herLorraine. She was on vacation from Richmond, Virginia, where she lived and worked. Less than two years later, the two were married, and for the next thirty-eight years, their love for each other never wavered. They saw the world together, enjoying fifteen glorious cruises. Even after Lorraine had a colon operation and a stroke, they still made the most out of lifes daily adventures. They were hopeful her health would improve, but she was diagnosed with dementia with psychosis in 2005. The diagnosis didnt have to be a death sentence, but it would set in motion a series of events that would leave Conrad equating the word doctor with killer. He learned that when a loved one enters a hospital, its the doctors turf, and they do what they want. Lorraine died December 31, 2009, after she was given medication that the Food and Drug Administration had warned could kill elderly people with dementia. She didnt need to die, but there can still be Justice for Lorraine.