"A work of dazzling beauty...the rare coming together of historical scholarship and curiosity about distant places with luminous writing." --The New York Times Book Review Since the Turks first shattered the glory of the French crusaders in 1396, the Ottoman Empire has exerted a long, strong pull on Western minds. For six hundred years, the Empire swelled and declined. Islamic, martial, civilized, and tolerant, in three centuries it advanced from the dusty foothills of Anatolia to rule on the Danube and the Nile; at the Empire's height, Indian rajahs and the kings of France beseeched its aid. For the next three hundred years the Empire seemed ready to collapse, a prodigy of survival and decay. Early in the twentieth century it fell. In this dazzling evocation of its power, Jason Goodwin explores how the Ottomans rose and how, against all odds, they lingered on. In the process he unfolds a sequence of mysteries, triumphs, treasures, and terrors unknown to most American readers. This was a place where pillows spoke and birds were fed in the snow; where time itself unfolded at a different rate and clocks were banned; where sounds were different, and even the hyacinths too strong to sniff. Dramatic and passionate, comic and gruesome, Lords of the Horizons is a history, a travel book, and a vision of a lost world all in one.

Yashim is no ordinary detective. It's not that he's particularly brave. Or that he cooks so well, or reads French novels. Not even that his best friend is the Ambassador from Poland, whose country has vanished from the map. Yashim is a eunuch. As the Sultan plans a series of radical reforms to his empire, a concubine is strangled in the palace harem. And a young cadet is found butchered in the streets of Istanbul. Delving deep into the city's crooked alleyways, and deeper still into its tumultuous past, Yashim discovers that some people will go to any lengths to preserve the traditions of the Ottoman Empire. Brilliantly evoking Istanbul in the 1830s, The Ottoman Detective is a fast-paced literary thriller with a spectacular cast, from mystic orders and lissom archivists to soup-makers and a seductive ambassador's wife. Darker than any of these is the mysterious figure who controls the Sultan's harem.

Lefèvre, a French archaeologist, has arrived in Istanbul determined to uncover a lost Byzantine treasure. Yashim is commissioned to find out more about him. But when Lefèvre's mutilated body is discovered outside the French embassy, it turns out that there is only one suspect: Yashim himself. Once again, Yashim finds himself in a race against time to find the startling truth behind a shadowy secret society dedicated to the revival of the Byzantine Empire, caught in a deadly game deep beneath the city streets, a place where the stakes are high - and betrayal is death.

This illustrated textbook covers the full history of the Ottoman Empire, from its genesis to its dissolution.

With the wry and admiring eye of a modern Tocqueville, Jason Goodwin gives us a biography of the dollar and the story of its astonishing career through the wilds of American history. Looking at the dollar over the years as a form of art, a kind of advertising, and a reflection of American attitudes, Goodwin delves into folklore and the development of printing, investigates wildcats and counterfeiters, explains why a buck is a buck and how Dixie got its name. Bringing together an array of quirky detail and often hilarious anecdote, Goodwin tells the story of America through its most beloved product.

Investigator Yashim travels to Venice in the latest installment of the Edgar® Award–winning author Jason Goodwin's captivating historical mystery series Jason Goodwin's first Yashim mystery, The Janissary Tree, brought home the Edgar® Award for Best Novel. His follow-up, The Snake Stone, more than lived up to expectations and was hailed by Marilyn Stasio in The New York Times Book Review as "a magic carpet ride to the most exotic place on earth." Now, in The Bellini Card, Jason Goodwin takes us back into his "intelligent, gorgeous and evocative" (The Independent on Sunday) world, as dazzling as a hall of mirrors and utterly compelling. Istanbul, 1840: the new sultan, Abdülmecid, has heard a rumor that Bellini's vanished masterpiece, a portrait of Mehmet the Conqueror, may have resurfaced in Venice. Yashim, our eunuch detective, is promptly asked to investigate, but -- aware that the sultan's advisers are against any extravagant repurchase of the painting -- decides to deploy his disempowered Polish ambassador friend, Palewski, to visit Venice in his stead. Palewski arrives in disguise in down-and-out Venice, where a killer is at large as dealers, faded aristocrats, and other unknown factions seek to uncover the whereabouts of the missing Bellini. But is it the Bellini itself that endangers all, or something associated with its original loss? And why is it that all the killer's victims are somehow tied to the alluring Contessa d'Aspi d'Istria? Will the Austrians unmask Palewski, or will the killer find him first? Only Yashim can uncover the truth behind the manifold mysteries.

Like England's Charles II, the Ottoman Empire took "an unconscionable time dying." Since the seventeenth century, observers had been predicting the collapse of this so-called Sick Man of Europe, yet it survived all its rivals. As late as 1910, the Ottoman Empire straddled three continents. Unlike the Romanovs, Habsburgs, or Hohenzollerns, the House of Osman, which had allied itself with the Kaiser, was still recognized as an imperial dynasty during the peace conference following World War I. "The Decline and Fall of the Ottoman Empire" offers a provocative view of the empire's decline, from the failure to take Vienna in 1683 to the abolition of the Sultanate by Mustafa Kemal (Ataturk) in 1922 during a revolutionary upsurge in Turkish national pride. The narrative contains instances of violent revolt and bloody reprisals, such as the massacres of Armenians in 1896, and other "ethnic episodes" in Crete and Macedonia. More generally, it emphasizes recurring problems: competition between religious and secular authority; the acceptance or rejection of Western ideas; and the strength or weakness of successive Sultans. The book also highlights the special challenges of the early twentieth century, when railways and oilfields gave new importance to Ottoman lands in the Middle East. Events of the past few years have placed the problems that faced the last Sultans back on the world agenda. The old empire's outposts in the Balkans and in Iraq are still considered trouble spots. Alan Palmer offers considerable insight into the historical roots of many contemporary problems: the Kurdish struggle for survival, the sad continuity of conflict in Lebanon, and the centuries-old Muslim presence in Sarajevo. He also recounts the Ottoman Empire's lingering interests in their oil-rich Libyan provinces. By exploring that legacy over the past three centuries, "The Decline and Fall of the Ottoman Empire" examines a past whose effect on the present may go a long way toward explaining the future. Praise for "The Decline and Fall of the Ottoman Empire" "Alan Palmer writes the sort of history that dons did before 'accessible' became an academic insult. It is cool, rational, scholarly, literate."--John Keegan "A scholarly, readable and balanced history."--"The Independent on Sunday" "A marvellously readable book based on massive research."--Robert Blake