This book analyses the collection of archaeological drawings drawn in Greece by a team of artists and architects in the service of Lord Elgin.

The book offers an original contribution to the study of the Greek Revival through a new interpretation of Lord Elgin's expedition to the East (1799-1803). The name of Elgin is traditionally associated with the famous acquisition of the Parthenon Marbles, and this main focus has led critics to pay relatively little attention to his wider cultural and artistic achievements. Accordingly, the main literature on this subject has never analyzed a remarkably rich and original collection of archaeological, architectural and sculptural drawings executed in Greece by the draughtsmen in the service of Lord Elgin during his diplomatic post at Constantinople, and now kept at the British Museum. The book provides an accurate study and comparison of the Elgin graphic collection with previous and contemporary archaeological enquiries and reveals the full significance of Lord Elgin's expedition.

In 'The Parthenon at Athens, Greece and at Nashville, Tennessee' by Benjamin Franklin Wilson, the author delves into a comparative study of the Parthenon in two different locations, highlighting the architectural similarities and differences between the ancient Greek structure and its replica in Nashville. Through detailed descriptions and insightful analysis, Wilson showcases the cultural significance and historical importance of both monuments, shedding light on the influence of classical Greek architecture on modern interpretations. The book is written in a scholarly tone, with a focus on architectural details and artistic elements that define the Parthenon in both settings, making it a valuable resource for art historians and architecture enthusiasts. Benjamin Franklin Wilson, an esteemed architect and historian, brings his expertise to this book, drawing on his knowledge of classical architecture and cultural heritage. Wilson's passion for preserving and understanding ancient monuments is evident in his thorough exploration of the Parthenon's architectural significance in two distinct landscapes. I highly recommend 'The Parthenon at Athens, Greece and at Nashville, Tennessee' to readers interested in art, architecture, and cultural history. Wilson's insightful analysis offers a unique perspective on the iconic structure, making this book a must-read for anyone fascinated by the intersection of ancient and modern architectural practices.

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

Excerpt from Memorandum on the Subject of the Earl of Elgin's Pursuits in Greece Mr. Harrison had besides studied many years, and to great purpose, at Rome. Lord Elgin consulted him, therefore, on the benefits that might possibly be derived to the arts in this country, in case an opportunity could be found for studying minutely the architecture and sculpture of ancient Greece; and his opinion very decidedly was, that although we might possess exact measurements of the buildings at Athens, yet a young artist could never form to himself an adequate conception of their minute details, combinations, and general effect, without having before him some such sensible representation of them as might be conveyed by casts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This study of the Greek revival opens with the rediscovery of Greece, involving the figures like Hell Fire Dashwood, Twitcher Sandwich and the Dilettanti Society. Their propagation of the Neo-Classical theory is explained and the expression of that theory in Greek Revival architecture covered.