*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.

From award-winning author Daniel Fox comes a ravishingly written epic of revolution and romance set in a world where magic is found in stone and in water, in dragons and in men–and in the chains that bind them. Deposed by a vicious usurper, a young emperor flees with his court to the small island of Taishu. There, with a dwindling army, a manipulative mother, and a resentful population–and his only friend a local fishergirl he takes as a concubine–he prepares for his last stand. In the mountains of Taishu, a young miner finds a huge piece of jade, the potent mineral whose ingestion can gift the emperor with superhuman attributes. Setting out to deliver the stone to the embattled emperor, Yu Shan finds himself changing into something more than human, something forbidden. Meanwhile, a great dragon lies beneath the strait that separates Taishu from the mainland, bound by chains that must be constantly renewed by the magic of a community of monks. When the monks are slaughtered by a willful pirate captain, a maimed slave assumes the terrible burden of keeping the dragon subdued. If he should fail, if she should rise free, the result will be slaughter on an unimaginable scale. Now the prisoner beneath the sea and the men and women above it will shatter old bonds of loyalty and love and forge a common destiny from the ruins of an empire.

Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.

Welcome to their kingdom...I never thought I'd step foot in Royal Manor again. But four years later, here I am...back to finish my senior year at Royal Hearts Academy.And forced to face Jace Covington. My first friend. First crush. First kiss. The one I left behind.Only-he isn't the same boy I gave my heart to.This new Jace is as cruel as he is gorgeous.And he's determined to make my life a living hell. Along with the rest of his glorified family and crew of tyrants.They expect me to worship the ground they walk on like everyone else, but I'd rather eat dirt.If Jace Covington wants me gone...he'll have to try harder. Because I've never been the kind of girl to play by the rules.WARNING: Royal Hearts Academy is a New Adult/High School series of standalones filled with drama, a touch of angst, and boys who are bad to the bone.This series is recommended for mature readers due to graphic language and sexual content.

From New York Times/USA Today bestselling author, Deanna Chase, the fifth book in the Jade Calhoun series. Starting a new job is tough...especially when your boss thinks nothing of interrupting your wedding. After a year of battling ghosts and demons, white witch Jade Calhoun is finally marrying the man of her dreams. Or is she? Minutes before Jade and Kane say I do, the High Angel arrives with a job for the newly appointed shadow walkers. Another witch's life is on the line and it's up to Jade and Kane to save her. With a black magic user intent on destroying one of Jade's friends, more demons on the loose, and a hard to find incubus, can the almost newlyweds save the witch and get their own happy ending?

The presence of approaching death always leaves you in a contemplating space. Reliving those exact moments pushes me to find the very culprit who changed my life. It also makes sitting in a classroom a pain in the ass. Having survived my first year at Tracker Hive Academy, I'm left with wondering what's next for me, the eight elements, Junior Tracker with no professional filter. We have to face the culprit who is clearly out to get me, but there has to be more to this, especially with certain allies involved.Things only get complicated when my sexy Troubled Four start having imbalance problems, making it difficult for the rest of the world to know who is who - except me, of course. My Shadow only wants to add to the chaos by attacking the very students we're attempting to protect.My life is definitely a shit storm, and when Alaric himself goes missing during an assignment, all bets are off.I am a Queen in my element and won't be told how to get what belongs to me. With Zeke, Zion, Zackery, and Zeus on my side, there's nothing I need to fear - and with Calvin as our joker card. We're a dangerous threat together, and this Hive goes by one thing: Breaking all the rules. Game On.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world. Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.