Elmer has struck it ÒwichÓ in the stock market! His dreams of home renovations with an in-ground pool and a 32-lane skee-ball alley will finally come true! Unfortunately, he discovers that he has an unwelcome neighbor who goes by the name of Bugs Bunny! His rabbit holes infuriate Elmer! ThereÕs no way that interloper is going to spoil his American dream! ItÕs Elmer vs. Bugs!

Porky is finally taking the plunge and joining a gym! But he gets more than he bargained for, thanks to his new personal trainer, Daffy Duck, whose personal motto is ÒNo pain, no gain, no refunds!Ó If Porky survives DaffyÕs Òintensive workout regimen,Ó heÕll certainly be in shape...but it might just be pretzel-shaped!

When Captain Bugs Bunny faces the wrath of Fudd, itÕs not only the scwewy wabbit who asks ÒWhatÕs space opera, Doc?Ó Will Bugs live long and prosper? And what about Daffy Duck, Elmer Fudd, Pepe Le Pew and the rest of the crew?

Messenger Elmer Fudd must deliver an important package to Taz, or he's going to lose his job. But Taz doesn't trust anyone knocking on his door, so this is going to be no easy task. And if Elmer is successful, will he still be in one piece?

With print publications on the way out and information going online, newspaper reporter Cluck Trent is out of a job. But at least he has his heroic identity of Stupor Duck to fall back on. Or does he? “Up there in the sky! It’s a bird! It’s a plane! Uh…what is that? Who cares?”

The beloved webcomic collected in its entirety for the first time in a beautiful deluxe edition! Author Alec Robbins is deeply in love with his wife, 1930s cartoon superstar Betty Boop. And wouldn't you know it, she loves him back! It's the perfect marriage, and nothing will ever go wrong. They'll be happy together forever and nothing will ever come between them--not other famous cartoon characters, not intellectual property law, and certainly not Alec's own towering insecurities. Basically, they're just both really happy together and everything's good and nice and that's the end of it. No more questions. Don't even bother reading this comic. Absurdist humor, a middle finger to corporate IP, and a sweetly romantic heart blend together into one of the most inventive comics of the Twitter age.

From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural phenomenon. "This book builds a compelling roadmap for the future of opera, and how it can truly be accessible for everyone." —Gustavo Dudamel Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love. With A New Philosophy of Opera, Sharon has crafted a radical and refreshing book that can act as an introduction to the art form for the culturally curious, or as a manifesto for his fellow artists. In an engaging style that ranges from the provocative to the personal, Sharon offers a 360-degree view of the art form, from the audience experience to the artist’s process; from its socially conscious potential to its economic reality; and from its practical to its emotional and spiritual dimensions. Surveying the role of opera in the United States and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an “anti-elite opera” that celebrates the imagination and challenges the status quo. With an illustrated and unconventional history of the art form (not following a straight line but tracing a fantastical “time-curve”) weaving throughout the book, Sharon resists the notion of the opera as “dying” and instead portrays it as a glorious chaos constantly being reborn and reshaped. With its advocacy of opera as an “enchanted space” and its revolutionary message, A New Philosophy of Opera is itself a work of art—a living book with profound philosophical implications—that will stand the test of time.