In an age of increasing environmental problems, ecology has had to grow up fast from a discipline dealing with relatively simple interactions between species to one that tries to explain changes in global patterns of diversity and richness. The issues are complex. Every species may seem to have its own unique role, but if that is true, then why are there hundreds of species of plankton in an ecosystem with only a handful of niches? The tropics have a high biodiversity, but does anybody know why? And how can a single introduced tree species wreak havoc in Hawaii’s rainforests, when it is one of thousands of quietly coexisting tree species in its native continent, South America? The strength of this book is that it will help digest some of these more complex issues in the ecology of biodiversity. It will do this by zooming out from the local scale to the global scale in a number of steps, marrying community ecology with macroecology, and introducing unexpected nuggets of natural history along the way. The reader will notice that, the larger the scale, the more the familiar niche-concept appears to be overshadowed by exotic fields from fractal and complexity theory. However, scientists differ in opinion on the scale at which niches become irrelevant. These differences of opinion, but also the search for unified ecological theories, will form another force by which the story will be carried along to its conclusion. A conclusion which, surprisingly, seeks to find a glimpse of the globe's future in the traces from its past.

Author Harriet Robinson (1825-1911), born Harriet Jane Hanson in Boston, offers a first person account of her life as a factory girl in Lowell, Massachusetts in this 1898 work. Robinson moved with her widowed mother and three siblings to Lowell as the cotton industry was booming, and began working as a bobbin duffer at the age of ten for $2 a week. Her reflections of the life, some 60 years later, are unfailingly upbeat. She was educated, in public school, by private lesson, and in church. The community was tightly knit. She also had the opportunity to write poetry and prose for the factory girls' literary magazine The Lowell Offering. When mill girls returned to their rural family homes, she says, "...instead of being looked down upon as 'factory girls, ' they were more often welcomed as coming from the metropolis, bringing new fashions, new books, and new ideas with them."

Learn weaving basics or hone your skills with this invaluable guidebook Originally published in 1984 (under the name Learning to Weave with Debbie Redding), Learning to Weave is now on the verge of its 40th Anniversary in print. This unparalleled study guide teaches readers to weave on four shaft looms, whether they are learning from scratch or honing their skills. Written with a mentoring voice, each lesson includes friendly, straightforward advice and is accompanied by illustrations and photographs. Budding floor and table loom weavers need only to approach this subject with a sense of adventure and willingness to learn such basics as step-by-step warping, basic weaving techniques, project planning, reading and designing drafts, the basics of all the most common weave structures, and many more handy hints. Beginners will find this guidebook an invaluable teacher, while more seasoned weavers will find food for thought in the chapters on weave structures and drafting.

Excerpt from The Loom of Life, and if Christ Were a Guest in Our Home The Tapestry-Weavers. Let us take to our hearts a lesson - no lesson can braver be - From the ways of the tapestry-weavers on the other side of the sea. Above their heads the pattern hangs: they study it with care. The while their lingers deftly work, their eyes are fastened there. They tell this curious thing beside of the patient, plodding weaver: He works on the wrong side evermore, but works for the right side ever. It is only when the weaving stops, and the web is loosed and turned. That he sees his real handiwork, that his marvellous skill is learned. Ah! the sight of its delicate beauty, how it pays him for all his cost! No rarer, daintier work than his was ever done by the frost. Then the master bringeth him golden hire, and giveth him praise as well; And how happy the heart of the weaver is no tongue but his own can tell. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.