A young duck, Wally Waddlewater, goes to the post office to mail a birthday card to his grandmother. On his way, he follows important rules of safety before crossing the street.

A harrowing and indispensable first-hand account of the experience of the first 85 days of the Israeli invasion of Gaza, from a prominent Palestinian writer In the morning I read the news. The news is about us. But it's designed for people reading it far, far away, who couldn't possibly imagine they could ever know anyone involved. It's for people who read the news to comfort themselves, to tell themselves: it's still far, far away. I read the news for different reasons: I read it to know I'm not dead. Early in the morning of Oct 7, 2023, Atef Abu Saif went swimming. It was a beautiful morning: sunny with a cool breeze. The Palestinian Authority's Minister for Culture, he was on a combined work and pleasure trip to Gaza, visiting his extended family with his 15 year old son, Yasser, and participating in National Heritage Day. Then the bombing started. Don't Look Left takes us into the day to day experiences of Gazan civilians trying to survive Israel's war against Hamas, its detail and extended narrative showing us what brief reports and video clips cannot. In a war that has taken an extraordinarily high toll on civilians, it is a crucial document--a day-to-day testimony and a deeply moving depiction of a people's fight to survive and maintain their humanity amid the chaos and trauma of mass destruction. It is also, remarkably, a powerful literary experience. Atef Abu Saif was born in Jabalia refugee camp in Gaza in 1973, and, as he writes, his first war broke out when he was two months old. He writes as only someone who knows Gaza deeply can, and only as someone who knows war can, picking out the details of ordinary life and survival amidst the possibility of death coming at any moment: washing the only shirt he has and waiting naked for three hours for it dry; noticing a cat, as terrified as the people on the street around it, hiding under a bistro table; visiting his sister-in-law's daughter in the hospital, who tells him in her dream she has no legs, and asks him if it is true. It is: she has lost her legs and a hand when her home was hit by a bomb. Trying to figure out the best place to sleep each night, and when and where to flee as the destruction intensifies. This is not like past wars with Israel, Abu Saif soon realizes--thinking of the Nakba, and of images of bombed cities from World War II. Profits from the sale of this book will go to two Palestinian charities: Medical Aid for Palestinians and the Middle East Children’s Alliance.

A darkly comic mystery by the author of Hark and The Ask set in the vibrant music scene of early 1990s New York City. Manhattan’s East Village, 1993. Dive bars, DIY music venues, shady weirdos, and hard drugs are plentiful. Crime is high but rent is low, luring hopeful, creative kids from sleepy suburbs around the country. One of these is Jack S., a young New Jersey rock musician. Just a few days before his band’s biggest gig, their lead singer goes missing with Jack’s prized bass, presumably to hock it to feed his junk habit. Jack’s search for his buddy uncovers a sinister entanglement of crimes tied to local real estate barons looking to remake New York City—and who might also be connected to the recent death of Jack’s punk rock mentor. Along the way, Jack encounters a cast of colorful characters, including a bewitching, quick-witted scenester who favors dressing in a nurse’s outfit, a monstrous hired killer with a devotion to both figure skating and edged weapons, a deranged if prophetic postwar novelist, and a tough-talking cop who fancies himself a retro-cool icon of the homicide squad but is harboring a surprising secret. No One Left to Come Looking for You is a page-turning suspense novel that also serves as a love letter to a bygone era of New York City where young artists could still afford to chase their dreams.

One of the most time-consuming tasks in clinical medicine is seeking the opinions of specialist colleagues. There is a pressure not only to make referrals appropriate but also to summarize the case in the language of the specialist. This book explains basic physiologic and pathophysiologic mechanisms of cardiovascular disease in a straightforward manner, gives guidelines as to when referral is appropriate, and, uniquely, explains what the specialist is likely to do. It is ideal for any hospital doctor, generalist, or even senior medical student who may need a cardiology opinion, or for that ma.