How many times have you poured your heart and soul into something for your youth ministry—only to have it fall flat, leaving not much more than a fond memory in the minds of students, let alone amazing life-change in their hearts? You’re not alone. Far too often, we build plans and programs and then stop to ask God to bless them. We all want a transformational student ministry, but we need to remember that God has to be the one doing the transformations in the lives of our students. Based on the principles found in the book of Acts, Moving Forward by Looking Back will help you look back at how God transformed lives through the early church, and look forward at how those principles can be applied to your youth ministry today. As you reflect on the book of Acts, you’ll explore how your youth ministry can implement the principles of: • Adoration—engaging students with God • Community—engaging students with God’s people • Truth—engaging students with God’s Word • Service—engaging students with God’s world With practical ideas that are easy to apply in any ministry context, whether you’re a rookie or a veteran, a professional or a volunteer youth worker, this book is an invaluable resource for any youth ministry that wants to see its students transformed by God.

For over forty years, Don Walker’s songwriting has captured what it is to be Australian. From Cold Chisel to Catfish, Tex, Don & Charlie to his solo work, as well as many other writing collaborations, Walker’s words are poetic, moving and incisive. Including classics such as “Khe Sanh”, “Flame Trees”, “Cheap Wine” and “Harry was a Bad Bugger”, this collection reveals the breadth of Walker’s vision and the precision of his prose. These lyrics live on the page, with or without the memory of music. Interspersed with autobiographical sketches and anecdotes, Songs is a must-have for fans of Walker’s brilliant, razor-sharp storytelling. Includes a foreword by Jimmy Barnes ‘Pithy, poignant, and provocative, Don Walker is the Poet Laureate of Australian rock 'n’ roll.’ —Mandy Sayer ‘As ever, the doyen to the rest of us. Beauty, humour and pathos coexist in his songs. Any time I try to write, the voice of The Don is in my head: “You sure you wanna do that?” Consistently, persistently, the master.’ —Tim Rogers ‘Pithy, acerbic, dry and deeper than a drought-ridden dam. Don’s words are truly a thing of wonder.’ —Peter Garrett ‘One of the great poets of the Australian experience. His lyrics speak of and to an Australia that is too rarely glimpsed in song, giving voice to the forgotten and dispossessed, and transforming the currents of grief and love and tenderness that run through even the most ordinary of lives into something universal.’ —James Bradley ‘Walker is one of our great storytellers. As much a keeper of the flame as Lawson, Carey or White. But he cuts to the burning heart with far fewer words.’ —John Birmingham

At the beginning of the twenty-first century, both the crisis of liberal democracy, as visible in, for example, the rise of far-right actors in Europe and the United States, and environmental crises, from declining biodiversity to climate change, are increasingly in the public spotlight. Whilst both areas have been analysed extensively on their own, The Far Right and the Environment: Politics, Discourse and Communication provides much needed insights into their intersection by illuminating the environmental communication of far-right party and non-party actors in Europe and the United States. Although commonly perceived as a ‘left-wing’ issue today, concerns over the natural environment by the far right have a long, ideology-driven history. Thus, it is not surprising that some members of the far right offer distinctive ecological visions of communal life, though, for example, climate-change scepticism is voiced too. Investigating this range of stances within their discourse about the natural environment provides a window into the wider politics of the far right and points to a close connection between the politics of identity and the imagination of nature. Connecting the fields of environmental communication and study of the far right, contributions to this edited volume therefore offer timely assessments of this often-overlooked dimension of far-right politics.

Catastrophes are on the rise due to climate change, as is their toll in terms of lives and livelihoods as world populations rise and people settle into hazardous places. While disaster response and management are traditionally seen as the domain of the natural and technical sciences, awareness of the importance and role of cultural adaptation is essential. This book catalogues a wide and diverse range of case studies of such disasters and human responses. This serves as inspiration for building culturally sensitive adaptations to present and future calamities, to mitigate their impact, and facilitate recoveries.

Offering a detailed study of early 20th-century essayist, poet, novelist, political campaigner, and theologian G.K. Chesterton, author Stephen R.L. Clark explores Chesterton's ideas and arguments in their historical context, while also tracing the history of the early science fiction movement.

How is the life-altering event of migration narrated for children, especially if it was caused by Anti-Semitism and poverty? What of the country of origin is remembered and what is forgotten, and what of the target country when the migration is imagined there a century later? Looking Forward, Looking Back examines today’s representation of Jewish mass migration from Eastern Europe to America around the turn of the last century. It explores the collective story that emerges when American authors look back at this exodus from an Eastern European home to a new one to be established in America. Focusing on children’s literature, it investigates a wide range of texts including young adult literature as well as picture books and hence sheds light on the dynamics of the verbal and the visual in generating images of the self and other, the familiar and the strange. This book is of interest to scholars in the field of imagology, children’s literature, cultural studies, American studies, Slavic studies, and Jewish studies.

This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked. Arguing that a European perspective is the only way to understand the transnational movement, the book also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of film culture as visible in screening clubs, film festivals, and archives. It will be essential to anyone interested in the influential movement and the film culture it created.