A selection of striking portraits by award-winning photographer Steve McCurry.

"Published in conjunction with the exhibition Looking East, organized by the Museum of Fine Arts, Boston; Frist Center for the Visual Arts, Nashville, Tennessee, January 31-May 11, 2014; Setagaya Art Museum, Tokyo, Japan, June 28-September 15, 2014; Kyoto Municipal Museum of Art, Japan, September 30-November 30, 2014; Nagoya/Boston Museum of Fine Arts, Japan, January 2-May 10, 2015; Musee National des Beaux-Arts du Quebec, Canada, June 11-September 27, 2015; Asian Art Museum, San Francisco, California, October 30, 2015-January 24, 2016"--Colophon.

In many ways, we seem to be living in wintry times at present in the Western world. In this new book, Rowan Williams, former Archbishop of Canterbury and a noted scholar of Eastern Christianity, introduces us to some aspects and personalities of the Orthodox Christian world, from the desert contemplatives of the fourth century to philosophers, novelists and activists of the modern era, that suggest where we might look for fresh light and warmth. He shows how this rich and diverse world opens up new ways of thinking about spirit and body, prayer and action, worship and social transformation, which go beyond the polarisations we take for granted. Taking in the world of the great spiritual anthology, the Philokalia, and the explorations of Russian thinkers of the nineteenth and twentieth centuries, discussing the witness of figures like Maria Skobtsova, murdered in a German concentration camp for her defence of Jewish refugees, and the challenging theologies of modern Greek thinkers like John Zizioulas and Christos Yannaras, Rowan Williams opens the door to a 'climate and landscape of our humanity that can indeed be warmed and transfigured'. This is an original and illuminating vision of a Christian world still none too familiar to Western believers and even to students of theology, showing how the deep-rooted themes of Eastern Christian thought can prompt new perspectives on our contemporary crises of imagination and hope.

When P.V. Narasimha Rao and Manmohan Singh launched India's "Look East" policy, it was only the first stage of the strategy to foster economic and security cooperation with the United States. But "Looking East" became an end in itself, and Singapore a valid destination, largely because of Lee Kuan Yew. He had been trying since the 1950s to persuade India's leaders that China would steal a march on them if they neglected domestic reform and ignored a region that India had influenced profoundly in ancient times. With his deep understanding of Indian life, close ties with India's leaders from Jawaharlal Nehru on, and sound grasp of realpolitik, Lee never tired of stressing that Asia would be "submerged" if India did not "emerge." Looking East to Look West recounts how India and Singapore rediscovered long-forgotten ties in the endeavour to create a new Asia. Singapore sponsored India's membership of regional institutions. India and Singapore broke diplomatic convention with unprecedented economic and defence agreements that are set to transform boundaries of trade and cooperation. This book traces the process from the earliest mention of Suvarnadbhumi in the Ramayana to Lee Kuan Yew's letter to Lal Bahadur Shastri within moments of declaring independence on 9 August 1965, from the Tata's pioneering industrial training venture in Singapore to Singapore's Information Technology Park in Bangalore. It explains the part Lee played in India's emergence as a player in the emerging Concert of Asia. History comes alive in these pages as Sunanda K. Datta-Ray, who had eight long conversations with Lee Kuan Yew, tells the story in the words of the main actors and with a wealth of anecdotes and personal details not available to many chroniclers.

This is a fascinating exploration of the mystery that surrounds of Ruben's most well-known and intriguing drawings. Peter Paul Rubens was one of the most talented and successful artists working in 17th-century Europe. During his illustrious career as a court painter and diplomat, Rubens expressed a fascination with exotic costumes and headdresses. With his masterful handling of black chalk and touches of red, Rubens executed a compelling drawing that features a figure wearing Asian costume - a depiction that has recently been identified as Man in Korean Costume. Despite the drawings renown - both during Ruben's own lifetime and in contemporary art scholarship - the reasons why it was made and whether it actually depicts a specific Asian person remain a mystery. The intriguing story that develops involves a shipwreck, an unusual hat, the earliest trade between Europe and Asia, the trafficking of Asian slave, and Jesuit missionaries.

Looking East examines how English encounters with the Ottoman Empire helped shape national identities and imperial ambitions. Engagingly written in an accessible style, this book demonstrates how the so-called 'conflict of civilizations' separating the Muslim East from the Christian West is a false and dangerous myth.

Know yourself -- that's great advice, but how do we get there? In a lively conversation about the meaning of life, three characters explore a wide range of concepts, including friendship and love, self-discipline and self-respect, trust and justice.