Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".

'No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.' Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people's everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy's Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont's lively edition explores the political and psychological peculiarities of this celebrated utopian fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

EQUALITY, first published in 1897, is the sequel to the 1888 book, Looking Backward-Bellamy's most popular work about a utopian Boston-and a response to the many criticisms of the first book. In EQUALITY, Bellamy answers those charges. Here, Bellamy addresses more social concerns of his day and delves into the more minor details of the lives of the futuristic Bostonians, including manners of dress and dining. Readers will be entertained by Bellamy's imaginings of the future, including recycled paper clothes and self-heating paper cookware. American author EDWARD BELLAMY (1850-1898) also wrote Dr. Heidenhoff's Process (1880) and The Duke of Stockbridge (1900).

A transporting work of photographic history that offers a haunting vision of how Americans viewed the world at the dawn of the twentieth century. Pull the yellowed card from the box and slide it into the viewer. Two binocular images, nearly identical, reveal a scene from the past in vivid, three-dimensional detail. Transcending space and time, the card shows the world as it existed in 1900, a moment when technology collapsed borders; when wars ignited between great powers; when natural forces brought disaster on surging, vulnerable cities—a moment very much like our own. In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the first decade of the twentieth century, Michael Lesy presents nearly 250 images displaying a riot of peoples and cultures, stark class divisions, and unsettling glimpses of daily life a century ago. Like Lesy’s landmark works of American macabre, Wisconsin Death Trip and Murder City, Looking Backward slides the reader into suspended animation. Haunting views of the early twentieth century’s most significant events at home and in the farthest reaches of the world—war, rebellion, industrial revolution, and natural catastrophe—flank pictures of the last remnants of the premodern natural world. Lesy’s evocative essays reassert the primacy of the stereograph in American visual history. He profiles the photographers who saw the world through their prejudices and the companies that sold their images everywhere. In underscoring the unnerving parallels between that period and our own, Looking Backward reveals a history that shadows us today.

Mania Salinger was born in Radom, Poland and enjoyed a childhood blessed with love, friends, and good luck until horrors unleashed by Nazi invasion changed her life forever. Many of her friends and family perished during the Holocaust, but Mania survived those horrific years working in multiple Nazi camps, including Auschwitz and Bergen Belsen. Her optimistic spirit, shrewd instincts, and fierce determination to believe that life, and humanity, must prevail over evil helped her to endure.

They put him into a hypnotic trance in a sealed room to cure him. Then the house burnt down and he was forgotten. Until he awoke forty years later and could not - dared not - believe what he saw . . .