According to the author, Islam has hidden behind a fa ade of goodness for too long. The time has come to look behind that fa ade and view the malignity at the core of Islam.

Magali Larson's comprehensive study explores how architecture "happens" and what has become of the profession in the postmodern era. Drawing from extensive interviews with pivotal architects--from Philip Johnson, who was among the first to introduce European modernism to America, to Peter Eisenman, identified with a new "deconstructionist" style--she analyzes the complex tensions that exist between economic interest, professional status, and architectural product. She investigates the symbolic awards and recognition accorded by prestigious journals and panels, exposing the inner workings of a profession in a precarious social position. Larson captures the struggles around status, place, and power as architects seek to redefine their very purpose in contemporary America. The author's novel approach in synthesizing sociological research and theory proposes nothing less than a new cultural history of architecture. This is a ground-breaking contribution to the study of culture and the sociology of knowledge, as well as to architectural and urban history. Magali Larson's comprehensive study explores how architecture "happens" and what has become of the profession in the postmodern era. Drawing from extensive interviews with pivotal architects--from Philip Johnson, who was among the first to introduce European modernism to America, to Peter Eisenman, identified with a new "deconstructionist" style--she analyzes the complex tensions that exist between economic interest, professional status, and architectural product. She investigates the symbolic awards and recognition accorded by prestigious journals and panels, exposing the inner workings of a profession in a precarious social position. Larson captures the struggles around status, place, and power as architects seek to redefine their very purpose in contemporary America. The author's novel approach in synthesizing sociological research and theory proposes nothing less than a new cultural history of architecture. This is a ground-breaking contribution to the study of culture and the sociology of knowledge, as well as to architectural and urban history.

Tammy Faye is known for many things, including her steadfast faith, the scandal that rocked a nation, and those now-infamous eyelashes. But above all, she is a survivor. No matter how often life tried to push her down, Tammy Faye always landed on her high heels. From her appearances on national shows such as Larry King Live and Today, to her guest spots on Hollywood Squares and the award-winning documentary The Eyes of Tammy Faye, she has proven that she is here to stay. Tammy Faye’s journey has been a bumpy one—including divorce, cancer, addiction, and depression—but she has triumphed over it all, with her makeup intact. In this book, she candidly recounts the lessons she’s learned, surprising and delighting us with her unique insight on such topics as forgiveness, faith, and fashion. Chock-full of lists, quotes, makeup tips, and “Tammy Faye-isms,” I Will Survive . . . is a one-of-a-kind handbook for living a fabulous life.

Sci-fi meets historical fact in this thrilling novel by ancient-language scholar Michael S. Heiser. Haunted by his parents' death and his career failures, Dr. Brian Scott has begun to settle for the life he's been given. Until he's kidnapped by military insiders known as The Group. Disappearances. Visitations. Murder. Brian and a team of world-class scholars are given a confidential mission: To prepare humanity for a new reality. They are here. But as the government's involvement with extraterrestrials is revealed, strange things begin to happen. Something isn't right. Unpeeling layer after layer of deception and counter-deception, Brian moves toward a shocking revelation that will forever alter how humanity sees itself. Every document cited in The Façade actually exists. Every ancient text discussed in The Façade is authentic. Every historical figure referred to or quoted in The Façade is real.

Received document entitled: EXHIBITS IN SUPPORT OF PETITION FOR WRIT