The nineties was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power; of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide. From Old Labour's defeat in 1992 through to New Labour's historic landslide in 1997, Don't Look Back In Anger chronicles the Cool Britannia age when the country united through a resurgence of patriotism and a celebration of all things British. But it was also an era of false promises and misplaced trust, when the weight of substance was based on the airlessness of branding, spin and the first stirrings of celebrity culture. A decade that started with hope then ended with the death of the 'people's princess' and 9/11 - an event that redefined a new world order. Through sixty-eight voices that epitomise the decade - including Tony Blair, John Major, Noel Gallagher, Damon Albarn, Tracey Emin, Keith Allen, Meera Syal, David Baddiel, Irvine Welsh and Steve Coogan - we re-live the epic highs and crashing lows of one of the most eventful periods in British history. Today, in an age where identity dominates the national agenda, Don't Look Back In Anger is a necessary and compelling historical document.

Don't Look Back is the second novel in Los Angeles Times Book Prize–winning author Karin Fossum's Inspector Sejer mystery series. "Sejer belongs alongside the likes of Adam Dalgliesh and Inspector Morse—a gifted detective and troubled man."—Boston Globe At the foot of the imposing Kollen Mountain lies a small, idyllic village, where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town's tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town's seemingly perfect façade. "Psychologically astute, subtly horrifying."—New York Times Book Review "Build[s] to a heart-stopping conclusion."—Entertainment Weekly

The overly confident Fujino and the shut-in Kyomoto couldn’t be more different, but a love of drawing manga brings these two small-town girls together. A poignant story of growing up and moving forward that only Tatsuki Fujimoto, the creator of Chainsaw Man, could have crafted. -- VIZ Media

Look Back in Anger is one of the few works of drama that are indisputably central to British culture in general, and its name is one of the most well-known in postwar cultural history. Its premiere in 1956 sparked off the first "new wave" of kitchen-sink drama and the cultural phenomenon of the angry young man. The play's anti-hero, Jimmy Porter, became the spokesman of a generation. Osborne's play is a key milestone in "new writing" for British theatre, and the Royal Court-which produced the play-has since become one of the most important new writing theatres in the UK.

In this challenging book, first published in 1987, Michelene Wandor looks at the best-known plays in the thirty years prior to publication, from Look Back in Anger onwards. Wandor investigates the representation of the family and different forms of sexuality in these plays and re-reviews them from a perspective that throws into sharp relief the function of gender as an important determinant of plot, setting and the portrayal of character. Juxtaposing the period before 1968, when statutory censorship was still in force, with the years following its abolition, Wandor scrutinises the key plays of, among others, Osborne, Pinter, Wesker, Arden, and Delaney. Each one is analysed in terms of its social context: the influence of World War II, the testing of gender roles, the development of the Welfare State and changes in family patterns, and the impact of feminist, Left-wing and gay politics. Throughout the period, two generations of playwrights and theatregoers transformed the theatre into a forum in which they could articulate and explore the interaction of their interpersonal relationships with the wider political sphere. These changes are explored in this title, which will allow readers to re-evaluate their view of post-war British drama.

Take a journey across America with a poor Victorian flower girl in her epic journey to a better life, from the internationally bestselling author Lesley Pearse As voted by readers as their favourite Lesley Pearse novel ___________ One good deed takes her into another world . . . Sixteen-year-old Matilda is a poor Covent Garden flower girl until the day she saves the life of Tabitha, a minister's daughter. Welcomed into Tabitha's family, Matilda is offered the chance of a lifetime. She leaves behind London's slums and enters the darkest corners of New York. Traveling across the vast plains to the Wild West, she finds herself in San Francisco, a city in the grip of the gold rush. Streetwise and strong-willed, Matilda forges a new life for herself and Tabitha among pioneers like Captain James Russell - a man to whom she is deeply attracted. Yet a civil war will soon rip apart this new nation . . . Can Matilda and those she loves brave separation and carry on, never looking back? ___________ 'With characters it is impossible not to care about . . . this is storytelling at its very best' Daily Mail 'Heart-warming and evocative . . . a real delight to read' Sun 'Lose yourself in this epic saga' Bella 'Utterly riveting, brilliant' Closer 'An emotional and moving epic you won't forget in a hurry' Woman's Weekly