Longarm answers the call of duty— from Uncle Sam! The army sent out the cavalry—but it never came back. Now it’s up to Longarm to track down sixteen men… And he won’t be riding this mission alone—whether he likes it or not. Harriet, a fiery beauty whose lover is among the lost cavalry, has taken it upon herself to be part of the search party. Longarm isn’t quite sure what her real story is. But he knows enough not to trust anyone—especially a woman who claims her heart is taken when her eyes say something very different…

A town with a bite that’s worse than its bark… Slocum reckons he won’t find anything but trouble in a town called Hangdog. And he’s right on the money. Slocum’s good buddy, David Mix, is in danger of losing his land—and his life. And he’s pointing his finger at his biggest rival. But when Mix’s competitor starts losing cattle and men, Slocum realizes that Hangdog is infested with more fleas than a mangy cur—and he’s just itching to pull the trigger on ’em…

Originally published in 1915, when Jennings Cropper Wise was commandant of the Virginia Military Institute, The Long Arm of Lee has never been surpassed as an authoritative study of the Confederate artillery in the Civil War. Volume I describes the organization and tactics of the field batteries of General Robert E. Lee's Army of Northern Virginia and their performance in famous battles, including those at Bull Run, Malvern Hill, Cedar Mountain, Harper's Ferry, Sharpsburg, and Fredericksburg. It ends with the bitter winter interlude before the Chancellorsville campaign of the spring of 1863. Volume 2 of Wise's history, also available as a Bison Book, takes up the harrowing events stretching from Chancellorsville to Appomattox. In his introduction, Gary W. Gallagher addresses some of the myths exposed by Wise, touching on the persistent under-estimation of the artillery's role in winning battles.

With a foreword by David Morrell "A pure delight." —JEFFERY DEAVER, New York Times bestselling author It's 1955, and Edna Ferber is basking in the success of her blockbuster novel Giant. Headed to Los Angeles, where director George Stevens and Warner Brothers Studio are in the final days of filming her Texas oil epic, she is looking forward to meeting Rock Hudson, Liz Taylor, and especially the young James Dean. But there is trouble brewing. Dean, the new box-office sensation and teen heartthrob, has been accused of fathering a child with an unstable (and recently fired) extra named Carisa Krausse. The studio fears the negative publicity will jeopardize the release of the movie. Then the actress is murdered, and James Dean is the prime suspect. He was seen at her apartment moments before Carisa's death. The police are ready to arrest him. With actress Mercedes McCambridge as her sympathetic sidekick, Edna investigates, determined to clear Dean's name. Soon Edna finds herself exploring the troubled lives of Dean's circle of disparate friends. As she delves into Hollywood's dark side she discovers a powerful studio obsessed with a cover-up and a solution she doesn't want to accept—a solution that she, in fact, dreads.