Longarm goes toe to toe with a low-down lead-slinging lawman! When Longarm hightails it to the Arizona desert for a dose of rest and relaxation, he isn’t looking to stir up trouble. But from the moment he witnesses a man gunned down by a lead-slinging lawman at the Crystal Palace Saloon, it becomes dead clear something sinister is afoot. Wrangling with a deputy marshal who’s enforcing his own murderous version of the law isn’t Longarm’s idea of a holiday. But as he follows a trail of suspicious deaths that all lead to the corrupt deputy and his ravishing sister, Longarm vows to track down the cold-blooded killer, even if it takes him all the way to Central America to bring him—or her—to justice…

How, beginning in the mid 1960s, the US semiconductor industry helped shape changes in American science, including a new orientation to the short-term and the commercial. Since the mid 1960s, American science has undergone significant changes in the way it is organized, funded, and practiced. These changes include the decline of basic research by corporations; a new orientation toward the short-term and the commercial, with pressure on universities and government labs to participate in the market; and the promotion of interdisciplinarity. In this book, Cyrus Mody argues that the changes in American science that began in the 1960s co-evolved with and were shaped by the needs of the “civilianized” US semiconductor industry. In 1965, Gordon Moore declared that the most profitable number of circuit components that can be crammed on a single silicon chip doubles every year. Mody views “Moore's Law” less as prediction than as self-fulfilling prophecy, pointing to the enormous investments of capital, people, and institutions the semiconductor industry required—the “long arm” of Moore's Law that helped shape all of science. Mody offers a series of case studies in microelectronics that illustrate the reach of Moore's Law. He describes the pressures on Stanford University's electrical engineers during the Vietnam era, IBM's exploration of alternatives to semiconductor technology, the emergence of consortia to integrate research across disciplines and universities, and the interwoven development of the the molecular electronics community and associated academic institutions as the vision of a molecular computer informed the restructuring of research programs.

In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.

Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.