The Princess Bride He was everything Tiffany Blair wanted. He was danger. He was love...and she was meant to spend forever with him. Trouble was, Kingman Marshall insisted marriage was for fools. But for better or worse, Tiffany vowed she’d walk down the aisle as King’s bride. King was equally determined to stay away from Tiffany. He was too old and burdened with secrets for a happily-ever-after with a sheltered princess. But if he succeeded in pushing her away, could he truly live without her? Callaghan's Bride Rugged as an oak, moody as a thundercloud, rancher Callaghan Hart awed women and intimidated men. So how could one scrappy little redhead nearly bring Callaghan to his knees? Easy! Tess Brady, the ranch’s new housekeeper, was soft and sweet. Her youthful innocence drew him like a moth to a flame. But there was no way Callaghan would ever consider marriage, and a casual fling was out of the question. Somehow, he had to resist her, no matter how tempting she was... The Wedding In White Sweet, gentle schoolteacher Natalie Brock’s life changed forever when handsome rancher Mack Killain’s masterful kisses gave her a taste of love. Ever since that first awakening, Natalie knew Mack was the only man for her. Trouble was, the rough-edged loner had sworn off marriage — especially to an innocent like her — and told her so on more than one occasion. But Mack had taught her the best was worth fighting for...and Natalie would not settle for anything less than all his love!

The Princess Bride He was everything Tiffany Blair wanted. He was danger. He was love...and she was meant to spend forever with him. Trouble was, Kingman Marshall insisted marriage was for fools. But for better or worse, Tiffany vowed she'd walk down the aisle as King's bride. King was equally determined to stay away from Tiffany. He was too old and burdened with secrets for a happily–ever–after with a sheltered princess. But if he succeeded in pushing her away, could he truly live without her? Callaghan's Bride Rugged as an oak, moody as a thundercloud, rancher Callaghan Hart awed women and intimidated men. So how could one scrappy little redhead nearly bring Callaghan to his knees? Easy! Tess Brady, the ranch's new housekeeper, was soft and sweet. Her youthful innocence drew him like a moth to a flame. But there was no way Callaghan would ever consider marriage, and a casual fling was out of the question. Somehow, he had to resist her, no matter how tempting she was... The Wedding In White Sweet, gentle schoolteacher Natalie Brock's life changed forever when handsome rancher Mack Killain's masterful kisses gave her a taste of love. Ever since that first awakening, Natalie knew Mack was the only man for her. Trouble was, the rough–edged loner had sworn off marriage – especially to an innocent like her – and told her so on more than one occasion. But Mack had taught her the best was worth fighting for...and Natalie would not settle for anything less than all his love!

BE CAREFUL WHAT YOU WISH FOR... He was everything Tiffany Blair wanted. He was danger. He was love...and she was meant to spend forever with him. Trouble was, Kingman Marshall insisted marriage was for fools. But for better, for worse, Tiffany vowed she'd walk down the aisle as King's bride.

Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

When magic and superpowers emerge in the masses, Wendy Deere is contracted by the government to bag and snag supervillains in Hugo Award-winning author Charles Stross' Dead Lies Dreaming: A Laundry Files Novel. As Wendy hunts down Imp—the cyberpunk head of a band calling themselves “The Lost Boys”— she is dragged into the schemes of louche billionaire Rupert de Montfort Bigge. Rupert has discovered that the sole surviving copy of the long-lost concordance to the one true Necronomicon is up for underground auction in London. He hires Imp’s sister, Eve, to procure it by any means necessary, and in the process, he encounters Wendy Deere. In a tale of corruption, assassination, thievery, and magic, Wendy Deere must navigate rotting mansions that lead to distant pasts, evil tycoons, corrupt government officials, lethal curses, and her own moral qualms in order to make it out of this chase alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.