This is a book of historical fiction that covers the period from the early days of the English colonies in the New World until the completion of Reconstruction after the end of the so-called Civil War. The author created the fictional Andrews family to tell the tale of the "long journeys" traveled by individual, families, armies and the country of America during this 200-year period. The causes, the conduct and the outcomes of the American Revolution and the War of Northern Aggression (aka Civil War) are the backdrop for the journeys traveled by the Andrews family and the country.

Presents a history of the ancient world, from 6000 B.C. to 400 A.D.

A gripping and original account of how the Civil War began and a second American revolution unfolded, setting Abraham Lincoln on the path to greatness and millions of slaves on the road to freedom. An epic of courage and heroism beyond the battlefields, 1861 introduces us to a heretofore little-known cast of Civil War heroes—among them an acrobatic militia colonel, an explorer’s wife, an idealistic band of German immigrants, a regiment of New York City firemen, a community of Virginia slaves, and a young college professor who would one day become president. Their stories take us from the corridors of the White House to the slums of Manhattan, from the waters of the Chesapeake to the deserts of Nevada, from Boston Common to Alcatraz Island, vividly evoking the Union at its moment of ultimate crisis and decision. Hailed as “exhilarating….Inspiring…Irresistible…” by The New York Times Book Review, Adam Goodheart’s bestseller 1861 is an important addition to the Civil War canon. Includes black-and-white photos and illustrations.

Guilford County residents felt the brutal impact of the Civil War on both the homefront and the battlefield. From the plight of antislavery Quakers to the strength of women, the county was awash in political turmoil. Intriguing abolitionists, fire-breathing secessionists, peacemakers, valiant soldiers and carpetbaggers are some of the figures who contributed to the chaotic time. General Joseph E. Johnston's parole of the Army of Tennessee at Greensboro, as well as the birth of a free black community following the Confederate defeat, brought amazing changes. Local author and historian Carol Moore traces the romantic days in the lead-up to war, the horrors of war itself and the decades of aftermath that followed.

The New York Times bestseller about West Point's Class of 1966, by Pulitzer Prize-winning journalist and author Rick Atkinson. "A story of epic proportions [and] an awesome feat of biographical reconstruction."—The Boston Globe A classic of its kind, The Long Gray Line is the twenty-five-year saga of the West Point class of 1966. With a novelist's eye for detail, Rick Atkinson (author of the Liberation Trilogy) illuminates this powerful story through the lives of three classmates and the women they loved—from the boisterous cadet years, to the fires of Vietnam, to the hard peace and internal struggles that followed the war. The rich cast of characters also includes Douglas MacArthur, William C. Westmoreland, and a score of other memorable figures. The class of 1966 straddled a fault line in American history, and Atkinson's masterly book speaks for a generation of American men and women about innocence, patriotism, and the price we pay for our dreams

John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.

This book reveals how the concept of 'anti-Americanism' has been misused for over 200 years to stifle domestic dissent and dismiss foreign criticism.