Two classic short stories, one about a male reporter who writes an advice column, and the other, about people who have migrated to California in expectation of health and ease.

"A primer for Big Bad City disillusionment, unsparing in its portrayal of New York's debilitating entropy."—The Village Voice. With a new introduction by Jonathan Lethem. First published in 1933, Miss Lonelyhearts remains one of the most shocking works of 20th century American literature, as unnerving as a glob of black bile vomited up at a church social: empty, blasphemous, and horrific. Set in New York during the Depression and probably West's most powerful work, Miss Lonelyhearts concerns a nameless man assigned to produce a newspaper advice column — but as time passes he begins to break under the endless misery of those who write in, begging him for advice. Unable to find answers, and with his shaky Christianity ridiculed to razor-edged shards by his poisonous editor, he tumbles into alcoholism and a madness fueled by his own spiritual emptiness. During his years in Hollywood West wrote The Day of the Locust, a study of the fragility of illusion. Many critics consider it with F. Scott Fitzgerald's unfinished masterpiece The Last Tycoon (1941) among the best novels written about Hollywood. Set in Hollywood during the Depression, the narrator, Tod Hackett, comes to California in the hope of a career as a painter for movie backdrops but soon joins the disenchanted second-rate actors, technicians, laborers and other characters living on the fringes of the movie industry. Tod tries to seduce Faye Greener; she is seventeen. Her protector is an old man named Homer Simpson. Tod finds work on a film called prophetically “The Burning of Los Angeles,” and the dark comic tale ends in an apocalyptic mob riot outside a Hollywood premiere, as the system runs out of control.

A collection of essays on Nathanael West's novel, Miss Lonelyhearts, arranged in chronological order of publication.

An irresistible novel about women, men, and the dogs that own them. Thirty-nine year old Rachel is having a really bad year. After losing her job and breaking up with her boyfriend, Rachel has inherited her late aunt's house, her beloved border collie, and a crowded rescue kennel, despite the fact that she knows almost nothing about dogs. Still, considering her limited options, she gamely takes up the challenge of running the kennel. And as Rachel starts finding new homes for the abandoned strays, it turns out that it might not just be the dogs that need rescuing.

Love is all you need... or is it? Penny's about to find out in this wonderful debut.Penny is sick of boys and sick of dating. So she vows: no more. It's a personal choice. . .and, of course, soon everyone wants to know about it. And a few other girls are inspired. A movement is born: The Lonely Hearts Club (named after the band from Sgt. Pepper). Penny is suddenly known for her nondating ways . . . which is too bad, because there's this certain boy she can't help but like. . . .

Finalist for the National Book Critics Circle Award: the "intensely exciting" story of a group of brilliant scientists who set out to answer the deepest questions about the origin of the universe and changed the course of physics and astronomy forever (Newsday). In southern California, nearly a half century ago, a small band of researchers — equipped with a new 200-inch telescope and a faith born of scientific optimism — embarked on the greatest intellectual adventure in the history of humankind: the search for the origin and fate of the universe. Their quest would eventually engulf all of physics and astronomy, leading not only to the discovery of quasars, black holes, and shadow matter but also to fame, controversy, and Nobel Prizes. Lonely Hearts of the Cosmos tells the story of the men and women who have taken eternity on their shoulders and stormed nature in search of answers to the deepest questions we know to ask. "Written with such wit and verve that it is hard not to zip through in one sitting." —Washington Post

Contains twenty critical essays that explore themes of the grotesque in various works, such as Voltaire's "Candide," Shelley's "Frankenstein," "Gogol's "The Overcoat," and Kafka's "The Metamorphosis."