In this breathtaking memoir, Adam Harmon, a U.S. soldier who served 13 years in the Israeli Army, tells of being a part of one of the finest, most unconventional militaries in the world. of photos.

The Lonely Soldier--the inspiration for the documentary The Invisible War--vividly tells the stories of five women who fought in Iraq between 2003 and 2006--and of the challenges they faced while fighting a war painfully alone. More American women have fought and died in Iraq than in any war since World War Two, yet as soldiers they are still painfully alone. In Iraq, only one in ten troops is a woman, and she often serves in a unit with few other women or none at all. This isolation, along with the military's deep-seated hostility toward women, causes problems that many female soldiers find as hard to cope with as war itself: degradation, sexual persecution by their comrades, and loneliness, instead of the camaraderie that every soldier depends on for comfort and survival. As one female soldier said, "I ended up waging my own war against an enemy dressed in the same uniform as mine." In The Lonely Soldier, Benedict tells the stories of five women who fought in Iraq between 2003 and 2006. She follows them from their childhoods to their enlistments, then takes them through their training, to war and home again, all the while setting the war's events in context. We meet Jen, white and from a working-class town in the heartland, who still shakes from her wartime traumas; Abbie, who rebelled against a household of liberal Democrats by enlisting in the National Guard; Mickiela, a Mexican American who grew up with a family entangled in L.A. gangs; Terris, an African American mother from D.C. whose childhood was torn by violence; and Eli PaintedCrow, who joined the military to follow Native American tradition and to escape a life of Faulknerian hardship. Between these stories, Benedict weaves those of the forty other Iraq War veterans she interviewed, illuminating the complex issues of war and misogyny, class, race, homophobia, and post-traumatic stress disorder. Each of these stories is unique, yet collectively they add up to a heartbreaking picture of the sacrifices women soldiers are making for this country. Benedict ends by showing how these women came to face the truth of war and by offering suggestions for how the military can improve conditions for female soldiers-including distributing women more evenly throughout units and rejecting male recruits with records of violence against women. Humanizing, urgent, and powerful, The Lonely Soldier is a clarion call for change.

Based on her book, THE LONELY SOLDIER, Helen Benedict has created a work consisting from monologues of seven soldiers, culled from their own words, gathered while interviewing these women for her book, Benedict created most of the monologues fromtaped interviews, but some are combined with letters the soldiers wrote by email.None are fictionalized.The names of the soldiers and their families and friends, along with someidentifying details, have been changed to protect their privacy. THE LONELY SOLDIER MONOLOGUES: WOMEN AT WAR IN IRAQ gives us the story of our women in uniform from a front closer than the sands of the Middle East...from inside the very souls of the soldiers.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

Engagingly written by the diplomatic correspondent for the Jerusalem Post, this book tells the tale of Israel's lone soldiers, young men who have left family, friends, studies, and top jobs behind to travel to an unfamiliar country and culture and join its army. Revealing images from noted photojournalist Ricki Rosen bring the stories of 14 of these young men--including Michael Levin, who died in the Second Lebanon War-- to life. This chronicle also profiles Lieutenant Colonel (res.) Tzvika Levy, known as the "father of the lone soldiers," whose mission it is to welcome and prepare the foreign recruits. The stories gathered here serve as a testament to the enduring strength of the nation of Israel and its armed forces.

A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars—doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age. First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new preface by the author, and matches the composition of Rankine’s best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy. Don’t Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness—a book of rare and vital honesty, complexity, and presence.

With his older brother gone to fight in the Great War, and his father prone to sudden rages, 14-year-old Stanley devotes himself to taking care of the family's greyhound and puppies. Until the morning Stanley wakes to find the puppies gone. Determined to find his brother, Stanley runs away to join an increasingly desperate army. Assigned to the experimental War Dog School, Stanley is given a problematic Great Dane named Bones to train. Against all odds, the pair excels, and Stanley is sent to France. But in Soldier Dog by Sam Angus, the war in France is larger and more brutal than Stanley ever imagined. How can one young boy survive World War I and find his brother with only a dog to help?