Kathy is still a lonely and bored housewife, thinking about her amazing time with her neighbor's young, 19 year old son, Andre. She can't stop thinking about him and her husband cannot come home soon enough. The minute he's back, she plans on ravaging him all night. She starts to pleasure herself as she thinks about Andre when her husband gives a call. He won't be able to make it home for the weekend, in fact, he'll have to stay a couple weeks longer for his business trip. Jon, her husband, angers her, not only because his trip is going to take longer, but also because he seems to be enjoying his time. She can hear people laughing away in the background and finds it strange that they're partying if they're so busy. He apologizes but has to go, leaving Kathy alone and bored again. She tries to keep her mind off it and stumbles on a channel with a white woman and a black man passionately sharing a bed. The scene is relatively short and Kathy decides to surf on the internet to find more adult material. She streams it on her TV and starts to pleasure herself again but the internet connection cuts off. Almost on cue, a large, well built black man is at her front door. He's from the cable company and he's getting reports of bad connections in the neighborhood. Kathy lets him in and decides to tease him a bit with some flirting... but that soon becomes something more... a LOT more...

In 1963, Betty Friedan unleashed a storm of controversy with her bestselling book, The Feminine Mystique. Hundreds of women wrote to her to say that the book had transformed, even saved, their lives. Nearly half a century later, many women still recall where they were when they first read it. In A Strange Stirring, historian Stephanie Coontz examines the dawn of the 1960s, when the sexual revolution had barely begun, newspapers advertised for "perky, attractive gal typists," but married women were told to stay home, and husbands controlled almost every aspect of family life. Based on exhaustive research and interviews, and challenging both conservative and liberal myths about Friedan, A Strange Stirring brilliantly illuminates how a generation of women came to realize that their dissatisfaction with domestic life didn't't reflect their personal weakness but rather a social and political injustice.

A hugely entertaining, poignant, and charming novel about what happens after happily ever after—from the New York Timesbestselling author of How to Walk Away and Things You Save in a Fire “Everyone Is Beautiful is for every woman who has ever struggled to find, hold on to, and nurture authenticity in the midst of that wild, messy, wonderful thing called motherhood.”—Brené Brown Lanie Coates’s life is spinning out of control. She’s piled everything she owns into a U-Haul and driven with her husband, Peter, and their three little boys from their cozy Texas home to a multiflight walkup in Boston. She’s left behind family and friends—all so her husband can realize his dream of becoming a professional musician. But somewhere in the eye of her personal hurricane, it hits Lanie that she once had dreams too . . . if only she could remember what they were. These days, Lanie always seems to prioritize herself last—and when another mom accidentally assumes she’s pregnant, it’s the final straw. Fifteen years, three babies, and more pounds than she’s willing to count since the day she said “I do,” Lanie longs desperately to feel like her old self again. It’s time to rise up, fish her moxie out of the diaper pail, and find the woman she was before motherhood consumed her entire existence. Lanie sets change in motion—joining a gym, signing up for photography classes, and finding a new best friend. But she also creates waves that come to threaten her whole life. Balancing motherhood and me-time, marriage and independence, and supporting loved ones while also realizing her own dreams, Lanie must figure out once and for all how to find herself without losing everything else in the process.

From a World War to a personal war this is the profoundly personal story of a preacher with PTSD and major depressive disorder. Don Baker shares his journey into the darknessthe black hole, as he calls itand how its shadow has haunted him for over seventy years. Insightful, vulnerable, and honest, this is a human story for human readers, for people who have tasted life and found it too often bitter and perplexing.

Managing social relationships for childless couples in pro-natalist societies can be a difficult art to master, and may even become an issue of belonging for both men and women. With ethnographic research gathered from two IVF clinics and in two villages in northwestern Turkey, this book explores infertility and assisted reproductive technologies within a secular Muslim population. Göknar investigates the experience of infertility through various perspectives, such as the importance of having a child for women, the mediating role of religion, the power dynamics in same-gender relationships, and the impact of manhood ideologies on the decision for — or against — having IVF.

Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.