From frontier times in the Republic of Texas until today, Texans have been making gorgeous quilts. Karoline Patterson Bresenhan and Nancy O’Bryant Puentes documented the first 150 years of the state’s rich heritage of quilt art in Lone Stars: A Legacy of Texas Quilts, 1836–1936 and Lone Stars II: A Legacy of Texas Quilts, 1936–1986. Now in Lone Stars III, they bring the Texas quilt story into the twenty-first century, presenting two hundred traditional and art quilts that represent “the best of the best” quilts created since 1986. The quilts in Lone Stars III display the explosion of creativity that has transformed quilting over the last quarter century. Some of the quilts tell stories, create landscapes, record events, and memorialize people. Others present abstract designs that celebrate form and color. Their makers have embraced machine quilting, as well as hand sewing, and they often embellish their quilts with buttons, beads, lace, ribbon, and even more exotic items. Each quilt is pictured in its entirely, and some entries also include photographs of quilt details. The accompanying text describes the quilt’s creation, its maker, and its physical details. With 16.3 million American quilters who spend $3.6 billion annually on their pastime, the quilting community has truly become a force to reckon with both artistically and socially. Lone Stars III is the perfect introduction to this world of creativity.

This volume, which covers 1986-2011, completes the landmark documentation of 175 years of Texas quilt history that the authors began in Lone Stars I and II.

In Clues in the Calico Barbara Brackman unveils a much-needed system for dating America's heirloom quilts. She tells how, by collecting and observing quilts and finally analyzing her computer file on close to 900 date-inscribed specimens, she arrived at the system. And through this telling she also imparts a colorful, stunningly illustrated history of quiltmaking along with a good bit of entertaining social history and the newest findings in textile research.

Loneliness pervaded the lives of pioneers on the American plains, including the empty expanses of West Texas. Most settlers lived in isolation broken only by occasional community gatherings such as funerals and religious revivals. In The Lonesome Plains, Louis Fairchild mines the letters and journals of West Texas settlers, as well as contemporary fiction and poetry, to record the emotions attending solitude and the ways people sought relief. Hungering for neighborliness, people came together in times of misfortune--sickness, accident, and death--and at annual religious services. In fascinating detail, Fairchild describes the practices that grew up around these two focal points of social life. He recounts the building of coffins and preparation of a body for burial, the conflicting emotions of the pain of death and the hope of heaven, the funeral rite itself, the lost and lonely graves. And he tells the story of yearly outdoor revivals: the choice of the meeting site and construction of the arbor or other shelter, the provision of food, the music and emotionally-charged services, and tangential courting and mischief. Loneliness is most recognized as a feature of life in the time of the early West Texas cattle industry, a period of sprawling cattle ranches and legendary cattle drives, roughly from 1867 to 1885. But Fairchild shows that it also characterized the lives of settlers who lived in West Texas from the beginning of permanent settlement of the Texas Panhandle (around 1876) through the population shift that occured around the turn of the century, as farmers and their families supplanted ranchers and their cattle. Fairchild draws on primary materials of the early residents to give voice to the settlers themselves and skillfully weaves a moving picture of life in the open spaces of West Texas during the frontier-rural period of the late nineteenth and early twentieth centuries.