A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

Translated into English by Richard Seltzer, this is a compilation of two books originally published in Russian. The first, From Entotto to the River Baro, was first published in 1897 and consists of two short journals of expeditions in Ethiopia from 1896-1897, plus a series of essays which cover history, culture, beliefs, languages, government, the military and commerce. The second, With the Armies of Menelik II, is a journal of Bulatovich's second trip to Ethiopia from 1887 to 1898, during which time he served as an advisor to the army of Ras Wolde Giyorgis.'

The Russian Revolution and Civil War - as never seen before! Packed with jaw-dropping, at times blood-curdling images, Russia Accursed! showcases the reaction of Ivan Vladmirov (1869-1947) to the human suffering and Bolshevik barbarity he observed as an artist-reporter during the years 1917-25. Some of his paintings and watercolours appeared in magazines and periodicals, including London weekly The Graphic (Vladimirov's mother was English). But other scenes - featuring point-blank executions, passers-by cutting chunks of meat from a dead horse or dogs gnawing at a human corpse - were deemed too shocking for publication and had to be secretly exported from the USSR by American relief workers. Selected from private collections, Russian museums and the Hoover Library at Stanford University, California, most of the 160 Vladimirov images in this majestic 324-page volume are published here for the first time. Placed in their historic context by scholarly essays, contemporary photographs and eye-witness quotes, they revolutionize our understanding of the beginnings of the Soviet Union.

Autobiografieën van vrouwen over hun jonge jaren in tsaristisch Rusland.

This two-volume history of counterinsurgency covers all the major and many of the lesser known examples of this widespread and enduring form of conflict, addressing the various measures employed in the attempt to overcome the insurgency and examining the individuals and organizations responsible for everything from counterterrorism to infrastructure building. How and when should counterinsurgency be pursued as insurgency is growing in frequency and, conversely, while conventional warfare continues to decline as a means by which political rivals seek to impose their will upon each other? What lessons from the past should today's policymakers, strategists, military leaders, and soldiers in the field keep in mind while facing off against 21st-century insurgents? This two-volume set offers a comprehensive history of modern counterinsurgency, covering the key examples of this widespread and enduring form of conflict. It identifies the political, military, social, and economic measures employed in attempting to overcome insurgency, examining the work of the individuals and organizations involved, demonstrating how success and failure dictated change from established policy, and carefully analyzing the results. Readers will gain valuable insight from the detailed assessments of the history of counterinsurgency that demonstrate which strategies have succeeded and which have failed—and why. After an introductory essay on the subject, each chapter provides historical background to the insurgency being addressed before focusing on the specific policies pursued and actions taken by the counterinsurgency force. Each section also provides an assessment of those operations, including in most cases an analysis of lessons learned and, where appropriate, their relevance to counterinsurgency operations today. The set's coverage spans modern counterinsurgencies from Europe to Asia to Africa since 1900 and includes the ongoing counterinsurgency operations in Afghanistan today. Its wide, international approach to the subject makes the set a prime resource for readers seeking specific information on a particular conflict or a better understanding of the general theories and practices of counterinsurgency.

Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (L?id Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.