'London is a giant kaleidoscope, which is forever turning. Take your eye off it for more than a moment and you're lost.' Robert Elms has seen his beloved city change beyond all imagining. London in his lifetime has morphed from a piratical, bomb-scarred playground, to a swish cosmopolitan metropolis. Motorways driven through lost communities, accents changing, skyscrapers appearing. Yet still it remains to him the greatest place on earth. Elms takes us back through time and place to myriad Londons. He is our guide through a place that has seen scientific experiments conducted in subterranean lairs and a small community declare itself an independent nation; a place his great-great-grandfather made the Elms' home over a century ago and a city that has borne witness to world-changing events.

Guest-edited by Owen Hatherley, thirty-three writers; architects, activists, and Londoners present thirty-three essays exploring famous and unheralded buildings, streets, estates and neighbourhoods across the thirty-three London boroughs.00With contributions from columnist Aditya Chakrabortty to the historian Gillian Darley, via playwright Hanif Kureishi and the politician Emma Dent Coad, the Alternative Guide to the London Boroughs is a journey into the neighbourhoods, housing estates and public buildings of London?s rich urban landscape.00Encompassing everything from Brutalist Polish community centres to suburban garden cities, from pioneering modernist estates to ornate Victorian greenhouses, as seen through everything from grime videos to the films of Patrick Keiller, this book will be a refreshing journey into the city you have been missing, and a celebration of the buildings, places and landscapes which make it special.00In reimagining our guidebook this year we set out to create a book that is as interesting to handle as it is to read. A thoughtful approach to typography and printing conceived by Studio Christopher Victor will bring together the longer essays with highlights from Open City?s extended network of community groups. Richly illustrated with images and artefacts from some of the city?s vast and eclectic museum collections and archives that have remained closed to the public throughout the pandemic, the guide will be offset-printed in London using premium book papers and metallic spot colours.

Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.

A polemical history of municipal socialism in London - and an argument for turning this capitalist capital red again. A polemical history of municipal socialism in London -- and an argument for turning this capitalist capital red again. London is conventionally seen as merely a combination of the financial centre in the City and the centre of governmental power in Westminster, a uniquely capitalist capital city. This book is about the third London - a social democratic twentieth-century metropolis, a pioneer in council housing, public enterprise, socialist design, radical local democracy and multiculturalism. This book charts the development of this municipal power base under leaders from Herbert Morrison to Ken Livingstone, and its destruction in 1986, leaving a gap which has been only very inadequately filled by the Greater London Authority under Livingstone, Boris Johnson and Sadiq Khan. Opposing currently fashionable bullshit about an imaginary "metropolitan elite", this book makes a case for London pride on the left, and makes an argument for using that pride as a weapon against a government of suburban landlords that ruthlessly exploits Londoners.

The story of the world's first fashion-obsessed society in eighteenth-century London - and the colourful tales of extravagance, vanity, intrigue, and sexual indiscretion that accompanied it

The mention of faith in the city of London first conjures images of ceremonies in St. Paul's Cathedral, but there are more than forty other Anglican churches, as well as Jewish, Dutch, Catholic, and Welsh places of worship squeezed in between the Square Mile's towers of commerce. Intrigued by this incongruity, acclaimed London photographer Niki Gorick has gained unique access to capture the day-to-day workings of these ancient buildings. In her exploration, she discovered a vibrant, diverse spiritual life stretching out into many faiths. This is a book about London and Londoners from a previously unexplored angle, revealing a rich mix of characters, traditions, and human-interest stories. From weddings, communions, evangelical studies, and carol services to Knights Templar investitures, fish displays, Afghan music, and vicars wielding knives, the photographs show an extraordinary range of spiritual goings-on and charismatic personalities. For the first time, readers get to glimpse a side of London's Square Mile not dominated by money-making, where city workers try to connect to life's deeper meanings and where religious traditions and questions of faith are still very much alive. With stunning images and an introduction by Edward Lucie-Smith, Faith in the City of London dispels many preconceptions about the capital and captures the true character of its inhabitants.