As a first-time visitor to London, De Amicis was awestruck by the bustle and magnificence of the Victorian metropolis and wrote a number of sketches in his trademark witty, observational style, which made him one of the best-selling travel writers of his age.Originally conceived as a series of newspaper articles and later published in volume form, De Amicis's Memories of London brings back to life all the bygone charm of the capital of the British Empire. De Amicis's impressions are paired here with a piece written by one of his contemporaries, the French writer LouisLaurent Simonin, which leaves the city's opulence and grandeur behind and offers an uncompromising look at the poverty and squalor of its most deprived areas.

Containing some 85 new and, we believe, previously unpublished colour photos accompanied by detailed captions, recording London and its transport network and other aspects of the city in the years between the end of World War 2 and the 1960s.

Kevin and Julie travel to London. Kevin loathes sightseeing. Julie is the quintessential tourist. Kevin ends up enjoying the trip but doesn't tell Julie. He secretly writes a book about his fond memories to surprise her and express his love.

This is the first book-length study of the legacy and memory of the main military orders in Britain, the Templars and Knights of St. John. It provides a survey from the late 18th to the early 20th centuries using hitherto neglected sources and identifies areas for further research and analysis. The volume first examines the historiography of the Orders, delving past the standard histories to examine their authors, readership, accessibility, advertisements. and reviews. It then discusses the material memory of the Orders, from the Temple Church in London and St. John’s Gate at Clerkenwell to archaeological discoveries and romanticised stained-glass depictions. Turning next to the revival and reinvention of the Order of St John after the loss of Malta in 1798 and the foundation of the British Order based at Clerkenwell, it unravels fact from fiction in the claims of continuity with the medieval knights made by the Masonic Knights Templars. For many, memory was shaped by popular fiction as well as history, so the final part considers various literary interpretations of the Orders’ history. This book will interest scholars and students of the Military Orders and Crusades, as well as general readers of the history of memory and reception.

Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.

Concentrationary Memories has, as its premise , the idea at the heart of Alain Resnais's film Night and Fog (1955) that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s is not simply confined to one place and one time but is now a permanent presence shadowing modern life. It further suggests that memory (and, indeed art in general) must be invoked to show this haunting of the present by this menacing past so that we can read for the signs of terror and counter its deformation of the human. Through working with political and cultural theory on readings of film, art, photographic and literary practices, Concentrationary Memories analyses different cultural responses to concentrationary terror in different sites in the post-war period, ranging from Auschwitz to Argentina. These readings show how those involved in the cultural production of memories of the horror of totalitarianism sought to find forms, languages and image systems which could make sense of and resist the post-war condition in which, as Hannah Arendt famously stated 'everything is possible' and 'human beings as human beings become superfluous.' Authors include Nicholas Chare, Isabelle de le Court, Thomas Elsaesser, Benjamin Hannavy Cousen, Matthew John, Claire Launchbury, Sylvie Lindeperg, Laura Malosetti Costa, Griselda Pollock, Max Silverman, Glenn Sujo, Annette Wieviorka and John Wolfe Ackerman.

Memories of clothing feature prominently in auto/biographies, yet traditionally they have not been subjected to the same level of academic scrutiny as other sources. Memories of Dress redresses this imbalance by bringing auto/biographical memories to the centre of a new methodology for understanding fashion history, material culture, and other disciplines. Presenting a comprehensive overview of theoretical and practice-based approaches, the book invites readers to explore the relations between clothing and memory through diverse examples ranging from oral histories of Madchester men and Hungarian socialist sewing, to a quilt-making autoethnography into the complexities of American racial heritage and imagined memories within museum collections. Chapters by leading and emerging experts consider the ways in which dress is remembered and the ways that memories and nostalgia in turn influence everyday dress practices, unpicking the meanings and motivations-both collective and public, personal and private-behind the clothes we wear in different times, places and life stages; and the impact of class, gender, ethnicity, and disability on material identities. Uniquely weaving personal recollection with theory, this multidisciplinary book offers new ways of understanding clothing, material culture, and memory.