Lola Bensky is a nineteen-year-old rock journalist who irons her hair straight and asks a lot of questions. A high-school dropout, she's not sure how she got the job – but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967. Lola spends her days planning diets and interviewing rock stars. In London, Mick Jagger makes her a cup of tea, Jimi Hendrix (possibly) propositions her and Cher borrows her false eyelashes. At the Monterey International Pop Festival, Lola props up Brian Jones and talks to Janis Joplin about sex. In Los Angeles, she discusses being overweight with Mama Cass and tries to pluck up the courage to ask Cher to return those false eyelashes. Lola has an irrepressible curiosity, but she begins to wonder whether the questions she asks these extraordinary young musicians are really a substitute for questions about her parents' calamitous past that can't be asked or answered. As Lola moves on through marriage, motherhood, psychoanalysis and a close relationship with an unexpected pair of detectives, she discovers the question of what it means to be human is the hardest one for anyone – including herself – to answer. Drawing on her own experiences as a young journalist, the bestselling author of Too Many Men has created an unforgettable character in the unconventional and courageous Lola. Genuinely funny and deeply moving, Lola Bensky shows why Lily Brett is one of our most distinctive and internationally acclaimed authors. 'Brett delivers an entertaining story that is also full of heart.' Australian Bookseller and Publisher 'A touching look at a woman's quest for self-understanding.' Who Weekly 'Funny, warm and insightful.' Herald Sun 'For Brett, resolution has come through creative remembering and retelling, and by constructing a fine comic novel from an unspeakable tragedy.' Australian Book Review 'A witty novel you'll struggle to put down.' Grazia 'A book that will entertain legions of readers.' Courier Mail 'An entertaining story that is also full of heart.' Bookseller+Publisher 'Lily Brett's heroines exude curiosity and Lola Bensky is no exception.' Sun-Herald 'Brett's sixth book hooks you in, not just because of her characteristic wit, but because she was a rock journalist herself back in the day.' Melbourne Times Weekly 'Lola Bensky will thrill [Brett's] fans: finally a book based on her extraordinary experiences as a reporter for Australia's first music magazine, Go-Set, during the most exciting era in pop music history.' Australian Jewish News

Lola Bensky is a nineteen–year–old rock journalist who irons her hair straight and asks a lot of questions. A high–school dropout, she's not sure how she got the job – but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967. Lola spends her days planning diets and interviewing rock stars. In London, Mick Jagger makes her a cup of tea, Jimi Hendrix (possibly) propositions her and Cher borrows her false eyelashes. At the Monterey International Pop Festival, Lola props up Brian Jones and talks to Janis Joplin about sex. In Los Angeles, she discusses being overweight with Mama Cass and tries to pluck up the courage to ask Cher to return those false eyelashes. Lola has an irrepressible curiosity, but she begins to wonder whether the questions she asks these extraordinary young musicians are really a substitute for questions about her parents' calamitous past that can't be asked or answered. As Lola moves on through marriage, motherhood, psychoanalysis and a close relationship with an unexpected pair of detectives, she discovers the question of what it means to be human is the hardest one for anyone—including herself—to answer.

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances -- in their house, on the roadway, in the market. Crippled in his right arm and leg, Aaron has spent his childhood fending off a sister who wants to manage him. When he meets Dorothy, a plain, outspoken, independent young woman, she is like a breath of fresh air. Unhesitatingly, he marries her, and they have a relatively happy, unremarkable life together. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy's unexpected appearances from the dead help him to live in the moment and find some peace. Gradually he discovers, as he works in the family's vanity-publishing business, (turning out titles that presume to guide beginners through the trails of life) that maybe for this beginner there is a way of saying goodbye. A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler's humour, wisdom, and always penetrating look at human foibles.

Ruth Rothwax had no trouble composing letters for others, but is at a loss for words when she attempts to confront her parents horrific past--and her own possible future. Print features.

Collection of autobiographical musings on life in New York. Recurring themes are family, body image, sex and daily life in the city. Topics covered include the dearth of single men and crime, celebrity hairdressers expert in the latest must-have plastic surgery and Monica Lewinsky's revolutionary effect on body image and New York street conversation. Author was born in Germany, grew up in Australia and now resides in New York. Previous titles include 'The Auschwitz Poems', winner of the 1987 Victorian Premier's Award for poetry and 'Just Like That', winner of the 1995 New South Wales Premier's Award for fiction.

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