Taking its title from Karl Marx s description of religion as the general theory of this world . . . [and] its logic in a popular form , this volume of essays explores the hidden logic behind the popular construction of certain myths, beliefs about godlings and spirits, and cross-religious cults, viewing them as popular inventions attempting to make sense of human existence in the face of an overwhelming and often hostile environment. These religious manifestations of popular logic ranging from Kali to Radha-Krishna to Satyapir to Tantrik practice are fluid, ever-changing, and always innovative. They represent an alternative stream running parallel to, and often challenging, the more strictly structured beliefs and practices of the Indian religious establishments, whether Hindu, Islamic, or Christian. The essays in the present collection are an attempt to rediscover some of the important aspects of this multi-faceted phenomenon of popular religion in the context of nineteenth-century Bengal, including tracing the impact of urbanization, colonialism, and nationalism. They also try to re-examine the relevance of some of the beliefs and rituals that have flowed down from that past and continue to survive in Bengali society today. Sumanta Banerjee is a cultural historian who specializes in research into popular culture, particularly of the colonial period. His best known works include The Simmering Revolution: The Naxalite Uprising, The Thema Book of Naxalite Poetry, The Parlour and The Streets: Elite and Popular Culture in Nineteenth Century Calcutta and Dangerous Outcast: The Prostitute in Nineteenth Century Bengal.

Logical Forms examines the formal languages of classical first order logic and modal logic, and some alternatives and in each case takes as the central question: how can natural language best be formalized in this formal language? The approach involves close encounters with issues in the philosophy of logic and the philosophy of logic and the philosophy of language.

How both logical and emotional reasoning can help us live better in our post-truth world In a world where fake news stories change election outcomes, has rationality become futile? In The Art of Logic in an Illogical World, Eugenia Cheng throws a lifeline to readers drowning in the illogic of contemporary life. Cheng is a mathematician, so she knows how to make an airtight argument. But even for her, logic sometimes falls prey to emotion, which is why she still fears flying and eats more cookies than she should. If a mathematician can't be logical, what are we to do? In this book, Cheng reveals the inner workings and limitations of logic, and explains why alogic -- for example, emotion -- is vital to how we think and communicate. Cheng shows us how to use logic and alogic together to navigate a world awash in bigotry, mansplaining, and manipulative memes. Insightful, useful, and funny, this essential book is for anyone who wants to think more clearly.

Questions of Form was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In Questions on Form, Joelle Proust traces the concept of the analytic proposition from Kant's development of the notion down to its place in the work of Rudolf Carnap, a founder of logical empiricism and a key figure in contemporary analytic philosophy. Using a method known in France as topique comparative,she provides a rigorous exposition of analyticity, situating it within four major philosophical systems—those of Kant, Bolzano, Frege, and Carnap—and clearly delineating its development from one system to the next. Proust takes as her point of departure Kant's distinction between analytic and synthetic judgments. Though she makes clear that Kant drew on Locke, Hume, and Leibniz, she argues that his notion of analyticity was innovative, not simply an elaboration of something already found in their work. She shows that the analytic proposition unexpectedly (given its modest status in Kant) came to play an important part in efforts to convert problems considered "transcendental" into questions of belonging to formal logic. Ultimately, her comparison of their systems reveals that the concept of the analytic, however specific its rile in each, remains linked to a foundationalist strategy—in effect, to the transcendentalist questions Kant used when he reinterpreted the findings of his empiricist predecessors. Hence, this book's provocative claim: today's so-called logical empiricism owes much more to Kant's notion of science than to Hume's.

Described by the philosopher A.J. Ayer as a work of 'great originality and power', this book revolutionized contemporary thinking on science and knowledge. Ideas such as the now legendary doctrine of 'falsificationism' electrified the scientific community, influencing even working scientists, as well as post-war philosophy. This astonishing work ranks alongside The Open Society and Its Enemies as one of Popper's most enduring books and contains insights and arguments that demand to be read to this day.

The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family. The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.