Lock, Stock & Smoking Metaphors is a glimpse into a woman's world through poetry. It is birth, life & death written within the heart beat of written metaphors. Taste and see that the metaphors are good.

In March 2001, the website Tehelka broke Operation West End, the biggest undercover news story in Indian journalism. Using spycams and masquerading as arms dealers, Tehelka's reporters infiltrated the Indian government, bribed army officers, gave money to the president of the ruling party and the defence minister's close colleague right in the defence minister's residence. This eventually forced both the ministers'resignations. In a rigorously researched and searing authentic account of the Tehelka expose and its aftermath, Madhu Trehan does a forensic study of the imperatives at the root of it, the characters and heroes and villains of the story, and of how the system got back: by obfuscating, by attempting to destroy the investors without leaving any footprints. In the style of Rashomon, the story is related by numerous participants of the same incidents and, of course, none of the stories tally. With exhaustive personal interviews, this is a must-read for anybody who wants to understand modern India - or even better, modern international journalism.

Jason Statham has risen from street seller through championship diving and modelling to become arguably the biggest British male film star of the twenty-first century. This is the first book to offer a critical analysis of his work across a variety of media, including film, television, video games and music videos. Each chapter focuses on a particular aspect of Statham’s career, from his distinctive screen presence to his style, branding and celebrity. Accessibly written, and featuring a contribution from Hollywood director Paul Feig, who worked with Statham on the 2015 action-comedy Spy, the collection will appeal to a wide audience of scholars, students and fans.

This groundbreaking collection represents the broad scope of cutting-edge research in Cultural Linguistics, a burgeoning field of interdisciplinary inquiry into the relationships between language and cultural cognition. The materials surveyed in its chapters demonstrate how cultural conceptualisations encoded in language relate to all aspects of human life - from emotion and embodiment to kinship, religion, marriage and politics, even the understanding of life and death. Cultural Linguistics draws on cognitive science, complexity science and distributed cognition, among other disciplines, to strengthen its theoretical and analytical base. The tools it has developed have worked toward insightful investigations into the cultural grounding of language in numerous applied domains, including World Englishes, cross-cultural/intercultural pragmatics, intercultural communication, Teaching English as an International Language (TEIL), and political discourse analysis.

If feminism has always been characterized by its divisions, it is metafeminism, a term coined by Lori Saint-Martin, that defines and embraces that disorder. As a carefully devised reading practice, metafeminism understands contemporary feminist literature and theory as both recalling and extending the tropes and politics of the past. In Cautiously Hopeful Marie Carrière brings together seemingly disparate writing by Anglo-Canadian, Indigenous, and Québécois women authors under the banner of metafeminism. Familiarizing readers with major streams of feminist thought, including intersectionality, affect theory, and care ethics, Carrière shows how literary works by such authors as Dionne Brand, Nicole Brossard, Naomi Fontaine, Larissa Lai, Tracey Lindberg, and Rachel Zolf, among others, tackle the entanglement of gender with race, settler-invader colonialism, heteronormativity, positionality, language, and the posthuman condition. Meanwhile tenable alliances among Indigenous women, women of colour, and settler feminist practitioners emerge. Carrière's tone is personal and accessible throughout - in itself a metafeminist gesture that both encompasses and surpasses a familiar feminist form of writing. Despite the growing anti-feminist backlash across media platforms and in various spheres of political and social life, a hopefulness animates this timely work that, like metafeminism, stands alert to the challenges that feminism faces in its capacity to effect social change in the twenty-first century.

The book is devoted to various problems of the discoursal use of phraseological units (PUs). It explores both core use and contextual use of such units, as well as different types of PU modifications, including addition, deletion, substitution, cleft use, phraseological pun, and extended metaphor, among others. In addition, the book also considers the translation of these modifications, which often present a very serious issue.

Naomi is haunted by a troubling secret. Stuggling to come to terms with her husband's death, her biggest dread is finding out that Adam knew of her betrayal. He left behind an intimate diary - but dare she read it? Will it set her mind at rest - or will it destroy the fragile control she has over her grief? Caught by the unfolding story, Naomi discovers more than she bargained for. Adam writes of his feelings for her, his challenging career, his burning ambition. How one by one his dreams evaporate when he is diagnosed with a degenerative condition. Motor Neurone Disease. How he resolves to mastermind his own exit at a time of his choice...but time is one luxury he can't afford. Soon he won't be able to do it alone. Can he ask a friend, or even a relative to commit murder? Adam's fierce determination to retain control of his own body against insurmountable odds fills his journal with a passion and drive that transcend his situation, and transfix the reader. A startingly clear - sighted and courageous story, this novel explores the collision between uncomprimising laws, complex loyalties and human compassion. REVIEWS There are few novels which deal with the issues of contemporary medical ethics in the lively and intensely readable way that [these] do.- ALEXANDER MCCALL SMITH