This English translation represents the first "evangelical" statement of theology.

Offers a comprehensive understanding of Calvin and the scope of his work and writing in a clear, accessible fashion.

It is the thesis of this study that in Calvin's theology, poverty and affliction--not splendor and glory--mark and manifest the kingdom of God on earth. Poverty makes the kingdom visible to the eyes and therefore recognizable as divine. Poverty acts to reveal or disclose that which is spiritual, or that which is "of God" in the Christian faith. This does not mean that Calvin sees the condition of physical poverty as revelatory in and of itself. Rather, poverty and affliction function as agents of divine revelation. They are a condition or a chosen instrument God uses to disclose to humanity the nature of true spirituality, godliness, and poverty of spirit. How this is demonstrated in Calvin's thought depends upon the specific doctrine under examination. This study explores three particular areas in Calvin's theology where his theological understanding of spiritual poverty and physical poverty (or affliction) intersect--his Christology, his doctrine of the Christian life, and his ecclesiology.

This book attempts to understand Calvin in his 16th-century context, with attention to continuities and discontinuities between his thought and that of his predecessors, contemporaries, and successors. Muller pays particular attention to the interplay between theological and philosophical themes common to Calvin and the medieval doctors, and to developments in rhetoric and method associated with humanism.

Analyzes Johannes von Hofmann's entire theological oeuvre.

Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.

This work offers a comprehensive examination of how Philip Melanchthon (1497-1560) -- a great philologist, pedagogue, and theologian of the Reformation -- used Greek patristic sources throughout his extensive career. The Cappadocian Fathers (here identified as Gregory Thaumaturgus, Basil of Caesarea, Gregory Nazianzen, and Gregory of Nyssa) were received through the medieval period to be exemplary theologians. In the hands of Melanchthon, they become tools to articulate the Evangelical-Lutheran theological position on justification by grace through faith alone, the necessity of formal education for theologians in literature and the natural sciences, the freedom of the will under divine grace, exemplars for bishops and even princes, and (not least) as models of Attic Greek grammar and biblical exegesis for university students. The book is organized around Melanchthon's use of Cappadocian works against his opponents: Roman Catholic, the Radical Reformers, the Reformed, and in Intra-Lutheran controversies. The author places Melanchthon within the context of the patristic reception of his time. Moreover, an appendix offers a sketch of the "Cappadocian canon" of the sixteenth century, with notation of the particular sources for Melanchthon's knowledge and the references to these works in modern scholarly sources. While often accused by his critics (past and present) of being arbitrary in his selection of patristic authorities, too free with his quotations, and too anxious for theological harmony, this work shows Melanchthon "at work" to reveal the consistent manner and Evangelical-Lutheran method by which he used patristic material to proclaim "Christ and his benefits" throughout his multifaceted career.