This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.

Finding your voice can be used as a resource by actors at all levels, form students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable.

This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on 'the musical', the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

Ever had that feeling of deja vu? It is that feeling you get the first time you visit New York City. You have never been there before but it's a place you have visited hundreds of times in the movies. From the top of the Empire State Building to the boardwalks of Coney Island, step into your favourite movie moments as this guide takes you on a tour through the cinematic history of the Big Apple alongside the most well known (and not so well known) locations that have appeared on the big screen.

Learn How to Make Your First Draft Easy!Award-winning author K.M. Weiland's previous book, the bestselling Outlining Your Novel, showed writers how to embrace outlines in a way that makes the writing process fun, inspiring, and easy.Now it's time to put those lessons to use! Building upon the principles you've already learned, the Outlining Your Novel Workbook presents a guided approach to getting the bones of your story down on paper, identifying plot holes, and brainstorming exciting new possibilities.Containing hundreds of incisive questions and imagination-revving exercises, this valuable resource will show you how to:Create your own personalized outlining processBrainstorm premise and plot ideasDiscover your charactersChoose and create the right settingsOrganize your scenesAnd so much more!This accessible and streamlined workbook will empower you to create a powerful outline--and an outstanding novel.Start writing your best book today!

'Finding Queensland in Australian Cinema' explores gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the Indigenous filmmakers since the 1990s, and the contemporary era of transnational productions in Australia.