Locating Pleasure in Indian History is one of the first works on the subject of the 'discourse of pleasure' in Indian history and culture. A rigorous, source-based work, it examines the cultural practices and the underlying philosophic matrix of pleasures, big or small. It recovers the production and consumption of beauty, desire and gratification in the world of pleasure, pleasurable pursuits and pleasant experiences of viewing, performing, thinking, debating, cooking, eating, listening, writing, creating and procreating. The contributions retrieve the discourse of pleasure in visual and literary cultures-in elite and popular spheres, including the public and private domains of the bazaar, the temple, the household, the court and the garden. Further, it is examined in the urbane art of Mathura, Ravana's palace in the art of 7th CE western Deccan, the suratkhana of Rajput royalty or domestic pleasures of women in the labyrinths of the Puranas. With over 40 photographs, it historicises ideological and experiential conundrums thrown up by the idea of pursuing alimentary, carnal and even pious desires in visual and literary cultures. The reflexivity inherent in the work of artists, poets, dramatists and even shastrins is brought out through moments of pleasure and counter-pleasure as revealed through anecdotes, narratives, artefacts and objects of aesthetic gratification.

Locating Pleasure in Indian History is one of the first works on the subject of the 'discourse of pleasure' in Indian history and culture. A rigorous, source-based work, it examines the cultural practices and the underlying philosophic matrix of pleasures, big or small. It recovers the production and consumption of beauty, desire and gratification in the world of pleasure, pleasurable pursuits and pleasant experiences of viewing, performing, thinking, debating, cooking, eating, listening, writing, creating and procreating. The contributions retrieve the discourse of pleasure in visual and literary cultures-in elite and popular spheres, including the public and private domains of the bazaar, the temple, the household, the court and the garden. Further, it is examined in the urbane art of Mathura, Ravana's palace in the art of 7th CE western Deccan, the suratkhana of Rajput royalty or domestic pleasures of women in the labyrinths of the Puranas. With over 40 photographs, it historicises ideological and experiential conundrums thrown up by the idea of pursuing alimentary, carnal and even pious desires in visual and literary cultures. The reflexivity inherent in the work of artists, poets, dramatists and even shastrins is brought out through moments of pleasure and counter-pleasure as revealed through anecdotes, narratives, artefacts and objects of aesthetic gratification.

Leisure is a corollary to pleasure. Essays in this historical exploration trace how leisure and recreation were often imagined and celebrated during premodern times, from the ancient to the precolonial period. This book takes into account the differential access to leisure and pleasure based on class and gender where masculinity is projected through manly sports and femininity though beauty and indulgence in the projection of recreation, entertainment and luxury. The counter-discourse representing labour for those who cater for this leisure is invisibilized as is their transactional nature. The volume dwells on the attitudes, prescribed and proscribed, and brings to the fore the differences across religious ideologies such as Brahmanism, Buddhism, Jaina and Muslim in various periods. Further it looks at leisure in the various classes and cultural spaces such as the elite, women, the king in the bed chamber, the court with dancing girls, public areas such as orchards and gardens and performance spaces.

Connected Histories of India and Southeast Asia unravels the fascinating history of cultural interactions, of outstanding and universal significance, between India and Southeast Asia, with special emphasis on artistic expressions. India's connections with Southeast Asian countries, namely, Brunei, Cambodia, Indonesia, Lao People's Democratic Republic, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam are seen not only in trade and commerce but also in cultural and religious exchanges. Such histories are well-documented in their monuments, icons, narratives, inscribed artefacts, texts, and ritual paraphernalia. The first part of the book offers an overview of the nature of cultural and artistic interactions and the trade routes that facilitated an exchange of ideas, objects, people, and knowledge systems since ancient times. The second part addresses issues relating to architectural forms, motifs, and mobility across long distances and time periods. The final segment includes essays that discuss narratives and iconographies arising from cross-cultural artistic exchanges. With contributions by eminent scholars and over 170 colour photographs, maps, and illustrations, this book is an invaluable resource for understanding connected histories, which play a key role in revitalizing cultural connectivity and people-to-people contacts between India and Southeast Asia.

Volume II focuses on systems of thought and belief in the history of world sexualities, ranging from early humans to contemporary approaches. Comprising eighteen chapters, this volume opens with a chapter on the evolutionary legacy and then delves into the sexualities of ancient Egypt, the Near East, Greece, and Rome, continuing with pre-modern South Asia, China, and Japan, Africa, the Americas, and Oceania. Chapters include an examination of sexuality in the religious traditions of Buddhism, Judaism, Christianity, and Islam, and also look at more recent approaches, including scientific sex, sexuality in socialism and Marxism, and the intersections between sexuality, feminism, and post-colonialism.

poetics of belonging in the region. --Book Jacket.