‘Locating Australian Literary Memory’ explores the cultural meanings suffusing local literary commemorations. It is orientated around eleven authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon – who have all been celebrated through a range of forms including statues, huts, trees, writers’ houses and assorted objects. Brigid Magner illuminates the social memory residing in these monuments and artefacts, which were largely created as bulwarks against forgetting. Acknowledging the value of literary memorials and the voluntary labour that enables them, she traverses the many contradictions, ironies and eccentricities of authorial commemoration in Australia, arguing for an expanded repertoire of practices to recognise those who have been hitherto excluded.

‘Locating Australian Literary Memory’ explores the cultural meanings suffusing local literary commemorations. It is orientated around eleven authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon – who have all been celebrated through a range of forms including statues, huts, trees, writers’ houses and assorted objects. Brigid Magner illuminates the social memory residing in these monuments and artefacts, which were largely created as bulwarks against forgetting. Acknowledging the value of literary memorials and the voluntary labour that enables them, she traverses the many contradictions, ironies and eccentricities of authorial commemoration in Australia, arguing for an expanded repertoire of practices to recognise those who have been hitherto excluded.

The Routledge Handbook of Literary Geographies provides a comprehensive overview of recent research and a range of innovative ways of thinking literature and geography together. It maps the history of literary geography and identifies key developments and debates in the field. Written by leading and emerging scholars from around the world, the 38 chapters are organised into six themed sections, which consider: differing critical methodologies; keywords and concepts; literary geography in the light of literary history; a variety of places, spaces, and landforms; the significance of literary forms and genres; and the role of literary geographies beyond the academy. Presenting the work of scholars from different disciplinary backgrounds, each section offers readers new angles from which to view the convergence of literary creativity and geographical thought. Collectively, the contributors also address some of the major issues of our time including the climate emergency, movement and migration, and the politics of place. Literary geography is a dynamic interdisciplinary field dedicated to exploring the complex relationships between geography and literature. This cutting-edge collection will be an essential resource for undergraduate and postgraduate students in both Geography and Literary Studies, and scholars interested in the evolving interface between the two disciplines.

The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.

An important literary memoir which views white settler family history against the impacts on the Indigenous people with whom they interact. Monument is poet and critic Bonny Cassidy’s fourth book. Moving seamlessly through genres in its recovery of the past — part poetry, part prose, microhistory, memoir, travel writing, and sometimes counterfactual speculation — it traces the complex consequences of colonial settlement across the generations of a White Australian family of mixed origins and ancestries. Following the threads and detours signalled by research, objects and testimony, Cassidy makes a case for the value of ‘collected memory’ against the tide of settlement and silence. Inspired by the methods of Natalie Harkin’s archival poetics and Katrina Schlunke’s Bluff Rock: Autobiography of a Massacre, Cassidy’s Monument considers how non-Indigenous Australians might absorb First Nations truth-telling; and what this means for acts of speech, and writing. Should our memories serve the living or the dead, the past or the present? Why do we need new monuments in Australia, and where should we expect to find them?

Symbols and tropes of liquidity have long been connected to notions of the feminine and, therefore, with orthodox constructions of femininity and womanhood. Underpinning these ideas is the vital importance of water as life force, which has given it a central place in cultural vocabularies worldwide. These symbolic economies, in turn, inform the discourses through which positive or negative associations of women with water come to bear impact on the social positioning of female gendered identities. Women and Water in Global Fiction brings together an array of studies of this phenomenon as seen in writing by and about women from around the world. The literature explored in this volume works to make visible, decodify, celebrate, and challenge the cultural associations made between female gendered identities and all kinds of watery tropes, as well as their consequences for key issues connected to women, society, and the environment. The collection investigates the roots of such symbolisms, examines how they inform women’s place in the socio-cultural orders of diverse global cultures, and shows how the female authors in question use these tropes in their work as ways of (re)articulating female identities and their correlative roles.

'At both ends of the world, I have found confusion and profound disagreement about how to read the story of the past, about who should write or speak it, and what parts of it should be written or spoken about at all.' Amnesia Road is a compelling literary examination of historic violence in rural areas of Australia and Spain. It is also an unashamed celebration of the beautiful landscapes where this violence has been carried out. Travelling and writing across two locations – the seldom-visited mulga plains of south-west Queensland and the backroads of rural Andalusia – award-winning Australian Hispanist Luke Stegemann uncovers neglected history and its many neglected victims, and asks what place such forgotten people have in contemporary debates around history, nationality, guilt and identity. 'This book will come to be regarded as a classic of Australian literature.' — Nicolas Rothwell 'Daring and original: an eloquent and moving meditation on place, memory and history.' — Mark McKenna 'Amnesia Road swept me away in lyrical storytelling, though veiled inside is a brutally complex shared history exposing the deliberate annihilation of the relationship between landscapes and their kin. Stegemann has lifted the dark shadowy veil of this denial, invisibility and silence to shift the direction of historical redemptive memory so the action of healing can begin.' — Brook Andrew 'Luke Stegemann explores with extraordinary tenderness and understanding the aftermaths of the frontier massacres in Australia and the atrocities of civil war Spain. He offers new insights about amnesia and the forgetting of the violent past and sets a roadmap to acknowledge and come to terms with the past. A brilliant achievement.' — Lyndall Ryan 'In this absorbing meditation on spectacular beauty and unfathomable cruelty, Luke Stegemann seamlessly joins his passionate love of two soils, Queensland in Australia and Andalusia in Spain. Amnesia Road displays that combination of warm empathy and cool appraisal essential in the best kind of history.' — Frank Bongiorno 'By turns beautiful and shocking, Stegemann's book reflects with a coolly objective, emotionally spare voice on the murderous pasts of Andalusia and south-west Queensland. Amnesia Road probes, with sharp intelligence, what history looks like when it can't be remembered and what it means to remember the otherwise forgotten dead.' — Francis O'Gorman, Saintsbury Professor of English Literature, University of Edinburgh