News stories about victims of violent crime and their families, controversial social cases (e.g. right to die legislation, abortion, AIDS, etc.), and innovative medical transplants, amongst other issues and events which come to involve elements of privacy, present peculiar problems for the ordinary people who are the stories' subjects. How ordinary individuals, whose everyday lives and their privacies have been involuntarily swept by means of public events into the public limelight, manage themselves during the course of their newsmaking careers is the central concern here. This project examines how the 'newsmaker experience' challenges an ordinary person's taken-for-granted ways of living, how it alters the balance between their public and private lives, and how newsmakers then negotiate newsmaking careers. I focus on newsmakers' situated interactions as sites in which we witness their practical self-management strategies contending with public and private social pressures. A critical sensitivity to the conditions which transform private and social identities into public identities, to the values which inform our public and private spheres, and to the mores of ordinary men and women caught in newsmaker roles, are brought together in this project.

This is the story of one of the most important American newspapermen of the twentieth century. Roy Howard rose to prominence at the height of newspapers’ power and became a leader in the evolution of print news starting in 1908—when E. W. Scripps appointed him head of the fledgling United Press at age 25—through his tenure as chairman of the Scripps-Howard empire until 1952. As Howard expanded and modernized the business, he landed some of the most important scoops between World War I and the Korean War. Ebullient, likeable, and outgoing, he headed one of only two coast-to-coast news concerns—Hearst being the other. An advisor to presidents and prime ministers, Howard witnessed the most significant events of the time. A 1930 front-page New York Times article named him one of the 59 men who “rule” America, with John D. Rockefeller topping the list. Time magazine put him on the cover. The Saturday Evening Post lionized him. Even his enemies gave him plenty of coverage: The New Yorker excoriated him in a four-part series, although the author admitted that Howard’s and Hearst’s were the only American newspaper publishers whose photographs the average newspaper reader would recognize. With exclusive, first-time access to thousands of previously unpublished documents in the privately held Howard family archives, author Patricia Beard opens a rich mine of stories from one of the most volatile periods in history as revealed by the head of a newspaper empire at a time when the press both made and broke the news.

For four reporters (Huffaker, Mercer, Phenix, and Wise) at CBS affiliate KRLD-TV in Dallas on November 22, 1963, there was not a dress rehearsal for what they had to do in the aftermath of the assassination of President John F. Kennedy. They provided the first continuous feed of an unfolding tragedy to millions of people around the world. From the initial shots to the shocking shooting of Lee Harvey Oswald by Jack Ruby, the CBS reporters were responsible for keeping the news live and informative, under the microscope of one of the harshest moments in America's history.

The minutes, hours, and days after President John F. Kennedy was shot on November 22, 1963, provided no ready answers about what was going on, what would happen next, or what any of it meant. For millions of Americans transfixed by the incomparable breaking news, television—for the first time—emerged as a way to keep informed. But the journalists who brought the story to the television airwaves could only rely on their skill, their experience, and their stamina to make sense of what was, at the time, the biggest story of their lives. President Kennedy’s assassination was the first time such big breaking news was covered spontaneously—this book tells the stories of four men who were at the epicenter of it all. Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise were among those responsible for covering the assassination and its aftermath for Dallas’s KRLD. These reporters fed news and footage to Walter Cronkite and all of the other CBS affiliates around the country. From the presidential motorcade to Parkland Hospital, from Lee Harvey Oswald’s shooting to the trial and lonesome death of Jack Ruby, these men were there, on the inside. The view they were afforded of these events was unparalleled; the tales they have to tell, one-of-a-kind. This 50th anniversary edition includes new photos, insights, and reflections on the state of news (and faux news) today from the four men who were active participants in television news' pivotal moment.

Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.

From popular TV correspondent and writer Rocca comes a charmingly irreverent and rigorously researched book that celebrates the dead people who made life worth living.

Building on a foundation of news stories, Producing Online News shows students how to use the right tools to get the right information to the right people at the right time. The goal is to become a full-fledged online news producer and transform stories into a complete news experience for an ever more demanding audience. Ryan Thornburg, a journalism trainer who has managed the websites of top news organizations, hones the skills students need to produce stories using multimedia, interactivity and on-demand delivery- online journalism's three pillars. Practical instructions show students not just how to use the tools but also how to make good journalistic choices in applying them. The book works for courses specifically in online journalism or for any journalism course that incorporates multiple platforms.