A powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

'Āina Hānau / Birth Land is a powerful collection of new poems by Kanaka ʻŌiwi (Native Hawaiian) poet Brandy Nālani McDougall. These poems cycle through sacred and personal narratives while exposing and fighting ongoing American imperialism, settler colonialism, militarism, and social and environmental injustice to protect the ʻāina and its people.

Ancient Light is a timely and innovative collection by renowned Anishinaabe poet Kimberly Blaeser. It looks squarely at pressing social issues of our time while simultaneously invoking Indigenous pathways of kinship, healing, and renewal.

"The Gila Wilderness is both a landmark in conservation history and a living, evolving place. First and Wildest is an elegant, impassioned, and timely tribute to its remarkable past and present.” —MICHELLE NIJHUIS In the summer of 1922, Aldo Leopold traveled on horseback up into the headwaters of New Mexico's Gila River and proposed to his bosses at the Forest Service that 500,000 acres of that rough country be set aside as roadless wilderness. Thus was born America's first—the world's first—designated wilderness. A century later, writer–activists, including Indigenous voices, come together to celebrate this vast, rugged landscape, the Yellowstone of the Southwest. Contributors include Michael P. Berman, Philip Connors, Martha Schumann Cooper, Beto O'Rourke, Martin Heinrich, Pam Houston, Priyanka Kumar, Laura Paskus, Sharman Apt Russell, Jakob Sedig, Leeanna T. Torres, and JJ Amaworo Wilson. ELIZABETH HIGHTOWER ALLEN is a contributing editor at Outside magazine, where she spent twenty–plus years editing award–winning features and writing columns and book reviews. A transplanted southerner turned westerner, she lives in Santa Fe, New Mexico, where she edits books and articles about public lands, memoir, and adventure, and serves on the advisory board to Writers on the Range. She and her husband and daughter spend as much time as they can exploring the rivers and mountains of the West—while also making it back to Tennessee fairly frequently for ham biscuits. Her mind is blown by the rugged vastness of the Gila.

Ask the Brindled, selected by Rick Barot as a winner of the 2021 National Poetry Series, bares everything that breaks between “seed” and “summit” of a life—the body, a people, their language. It is an intergenerational reclamation of the narratives foisted upon Indigenous and queer Hawaiians—and it does not let readers look away. In this debut collection, No‘u Revilla crafts a lyric landscape brimming with shed skin, water, mo‘o, ma‘i. She grips language like a fistful of wet guts and inks the page red—for desire, for love, for generations of blood spilled by colonizers. She hides knives in her hair “the way my grandmother—not god— / the way my grandmother intended,” and we heed; before her, “we stunned insects dangle.” Wedding the history of the Kingdom of Hawai?i with contemporary experiences of queer love and queer grief, Revilla writes toward sovereignty: linguistic, erotic, civic. Through the medium of formal dynamism and the material of ?Oiwi culture and mythos, this living decolonial text both condemns and creates. Ask the Brindled is a song from the shattered throat that refuses to be silenced. It is a testament to queer Indigenous women who carry baskets of names and stories, “still sacred.” It is a vow to those yet to come: “the ea of enough is our daughters / our daughters need to believe they are enough.”

A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet. Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love. In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).

Restore resilience at its developmental source through energy medicine • Shares the author’s journey of learning the healing art of Jin Shin, discovering the embryological roots of resilience, and healing her own trauma • Explores how the Jin Shin sites correlate with the Chinese Extraordinary Meridians and with specific embryological events • Shows how subtle touch in combination with trauma resolution amplifies neuroresilience, enhances creativity, restores motivation, and heals the fragmentation and disconnection associated with trauma and shock When neuroscientist Stephanie Mines started practicing the hands-on healing Art of Compassion, she began to unravel the mystery of trauma and the secret to resilience. As a survivor of early childhood abuse, police brutality as a social justice activist, and a series of dysfunctional and abusive relationships, Mines was profoundly curious about how the human nervous system finds resilience despite the cumulative burden of chronic stress and traumatic life events. While earning her doctorate in neuropsychology, she met Mary Iino Burmeister, master of the Art of Compassion, or Jin Shin Jyutsu. Art of Compassion consists of non-invasive touch, using the fingertips, on sites of the body that are similar to acupuncture points. After the Art of Compassion helped Mines resolve her own trauma and awaken her innate resilience, she began to incorporate it into her clinical research. She discovered that the map of the body she learned from Burmeister sites correlated with the Chinese Extraordinary Meridians or Rivers of Splendor, which develop prenatally. She then began investigating our earliest neurodevelopmental processes and was able to correlate the Extraordinary Meridians with specific embryological events. She found that subtle touch on these sites in combination with trauma resolution amplifies neuroresilience, enhances creativity, restores motivation, and heals the fragmentation and disconnection associated with trauma and shock. Sharing her personal journey as a Wounded Healer, Mines reveals not only how to unlock the secrets of resilience for individual healing but also how embodied resilience will help us heal our wounded planet.