The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities

"You damn bitch of an anarchist, I wish I could get at you. I would tear your heart out and feed it to my dog." This was one of the less obscene messages received by Emma Goldman (1869-1940), while in jail on suspicion of complicity in the assassination of McKinley. The most notorious woman of her day, she was bitterly hated by millions and equally revered by millions. The strong feelings she aroused are understandable. She was an alien, a practicing anarchist, a labor agitator, a pacifist in World War 1, an advocate of political violence, a feminist, a proponent of free love and birth control, a communist, a street-fighter for justice - all of which she did with strong intellect and boundless passion. Today, of course, many of the issues that she fought over are just as vital as they were then. Her autobiography, written with vigor, ranks among the finest in the English language.

The legendary Kenneth Taylor not only translated The Living Bible, but is responsible for such phenomenal Christian children's books as My First Bible in Pictures and the Little People series. My Life: A Guided Tour offers a visit with this intriguing personality.

One of the towering figures in global radicalism of the late 19th and early 20th centuries, Emma Goldman (1869–1940) was an anarchist, a feminist, a pacifist, a communist, a unionist, and a proponent of birth control and free love. Her extreme notions made her as much an object of outrage as one of reverence in the tumultuous years of the Gilded Age, World War I, and the Roaring Twenties, and her name remains, to this day, synonymous with ideas of sweeping cultural revolution. Here, in the first of her two-volume memories, first published in 1931, she tells her life story. From her arrival in New York as a 20-year-old seamstress, when she immediately launched into a life of activism and public agitation, she recalls her childhood in Lithuania, her immigration to the U.S. as a teenager, and her wild adventures as an independent and intelligent woman: baptizing babies on a beer barrel, supporting workingmen's strikes, traveling in Europe… An important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War, Goldman is one of the most storied people of the 20th century. And her story, in her own inimitable words, is one of the great biographies, and one of the great personal histories of a turbulent era.

At first glance, Garcia Mrquez's vivid and detailed portrait of his early life appears to be testament to a photographic memory. Yet as he explains in the epigraph, "Life isn't what one lived, but what one remembers and how one remembers it to tell it."

The bestselling exploration of the dimensions of love, marriage, mourning, and kinship from two-time Booker Prize finalist Deborah Levy. A New York Times Notable Book A New York Public Library Best Nonfiction Book of 2018 What does it cost a woman to unsettle old boundaries and collapse the social hierarchies that make her a minor character in a world not arranged to her advantage? This vibrant memoir, a portrait of contemporary womanhood in flux, is an urgent quest to find an unwritten major female character who can exist more easily in the world. Levy considers what it means to live with meaning, value, and pleasure, to seize the ultimate freedom of writing our own lives, and reflects on the work of such artists and thinkers as Simone de Beauvoir, James Baldwin, Elena Ferrante, Marguerite Duras, David Lynch, and Emily Dickinson. The Cost of Living, longlisted for the Andrew Carnegie Medal in Nonfiction, is crucial testimony, as distinctive, witty, complex, and original as Levy's acclaimed novels.

In the early twentieth century, an exuberant brand of gifted men and women moved to New York City, not to get rich but to participate in a cultural revolution. For them, the city's immigrant neighborhoods--home to art, poetry, cafes, and cabarets in the European tradition--provided a place where the fancies and forms of a new America could be tested. Some called themselves Bohemians, some members of the avant-garde, but all took pleasure in the exotic, new, and forbidden. In American Moderns, Christine Stansell tells the story of the most famous of these neighborhoods, Greenwich Village, which--thanks to cultural icons such as Eugene O'Neill, Isadora Duncan, and Emma Goldman--became a symbol of social and intellectual freedom. Stansell eloquently explains how the mixing of old and new worlds, politics and art, and radicalism and commerce so characteristic of New York shaped the modern American urban scene. American Moderns is both an examination and a celebration of a way of life that's been nearly forgotten.