The role of historical archaeology in the study of African diaspora history and culture Exploring the archaeological study of enslavement and emancipation in the United States, this book discusses significant findings, the attitudes and approaches of past researchers, and the development of the field. Living Ceramics, Storied Ground highlights the ways historical archaeology can contribute to the study of African diaspora history and culture, as much of the daily life of enslaved people was not captured through written records but is evidenced in the materials and objects left behind. Including debates about cultural survivals in the 1920s, efforts to find “Africanisms” at Kingsley plantation in the 1960s, and the realization—as late as the 1970s—that colonoware pottery was created by enslaved people, Charles Orser looks at the influential and often mistaken ideas of prominent anthropologists, archaeologists, and historians. Extending to the present, Orser describes how archaeology better recognizes and appreciates the variety and richness of African American culture during slavery, due in large part to the Black archaeologists, past and present, who have worked to counter racism in the field. While acknowledging the colonial legacy of archaeology, Charles Orser outlines the ways the discipline has benefitted by adopting antiracist principles and partnerships with descendant communities. This book points to the contributions of excavators and researchers whose roles have been overlooked and anticipates exciting future work in African American archaeology. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.

Presents evidence to support the author's woman-centered interpretation of prehistoric civilizations, considering the prehistoric goddesses, gods and religion, and discussing the living goddesses--deities which have continued to be venerated through the modern era.

This book describes Oscar’s life story and his efforts to develop an academic career, to heal emotional wounds and to develop a coherent worldview. His medical career focused on patient care, research and the study of kidney diseases. To get to the root causes of his emotional problems, he rejected Freud’s drive-frustration theory and embraced both object relations and attachment theories. He believed that an adequate attachment to the primary caregiver facilitates the development of the true self, the regulation of affect and the ability to project intentions, beliefs and perceptions into the minds of others. Only securely attached children are able to separate from the mother and to acquire the skills necessary for socialization. After his retirement he was able to formulate a personal philosophy of life and to articulate a worldview which was based on Naturalism, Humanism and Agnosticism.

In this fresh, fun, and unique book, design consultant and Today show lifestyle expert Elizabeth Mayhew shares essential insider tips for making any space stylish and timeless in a snap. Forget expensive fixes or labor-intensive endeavors, Flip! for Decorating can show you how to redecorate with what you have on hand, or with the simple purchases you’ll need to create the room of your dreams. Flip through the upper right hand pages, and watch four rooms receive an instant makeover! Inside you’ll discover: • step-by-step instructions for decorating the four most commonly used rooms: living room, dining room, family room, and bedroom • the fundamentals of color, including no-fail wall and trim colors, when to use wallpaper instead of paint, and the facts on different paint finishes • the ways to treat a window, from Venetian blinds and Roman shades to simple curtains–and the secrets to making a window appear taller or wider • the art of picking the perfect sofa, chairs, tables, and lighting • strategies on how to prioritize your decorating decisions Flip! for Decorating also features time-saving “reality checks,” handy shopping tips, and easy and informative sidebars that will give you instant solutions if you’re stumped, stymied, or need to add a quick jolt of style to virtually any room in your home. With this amazing, practical book, decorating is so easy you’ll flip!

In 2013 he decided to tell his life story, hoping that someone may someday want to read it. It is an insightful look back to the world of yesterday, and deals with subjects ranging from school discipline, family feuds and office politics, to the joys of children and grandchildren, the loss of loved ones, and the perils of caravanning in Europe. The story is told in the frank and forthright manner you would expect from a true Yorkshireman, full of honesty, self deprecation and dark humour. It also shows that an ordinary man can have an extraordinary tale to tell.

Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performative writing’ and in the examination of inter-disciplinary forms of narrative and counter-narrative. It specifically focused on three aspects - experimental forms of Theories and Criticism, Objects and Narrative and the particular form of the Cinematic Essay and explored how the performative move could also be said to apply to forms of contemporary art practice: to what photography, film, objects wish to say. This resulting edited collection presents contemporary making and writing practices as multi-faceted, interdisciplinary and trans-medial and is indicative of an attitude that sets out to encounter the world, its social conditions, its global perspectives and the nature of aesthetic discussion that is no longer confined by formalism.