This collection explores the various forms of narrative, semiotic, and technological mediation that shape the experience of place. Gary Backhaus and John Murungi have assembled a wide array of scholars who give a unique perspective on the phenomenology of place.

This volume's concept, 'ecoscape, ' has been formed for the purpose of comprehending the spatial configuration (geography) of an ecosystem. Using this method, the contributors place emphasis not on things, but on the spatial patternings of relations and interrelations. Through the related notion of economy, conceptualized as the management of the ecoscape, contributors investigate ethical problems and value choices in light of the way that we are contextualized in the world. By envisioning specific environments as spatial processes of events composed of interrelated patternings, the co-editors intend to provide a fresh approach for framing the problems that beset our world

The thesis of incommensurability concerns the interrelation between subjective culture and objective culture through which the constitutive agency of chaos (incommensurability) emerges. The objectivations/products, the constituents of objective culture, carry their own Being, and this Being transcends the original subjective expressivities/intentions. The constitutive agency of this incommensurable interrelation becomes apparent in an age of globalization where its effects become global, bringing about dangerous socio-political volatilities. To illustrate, global warming has been neither the expressive intention of subjective culture nor a constituent of energy per se as an objectivated product in the context of objective culture. It emerges in the interrelation, an unforeseen incommensurability, a chaos in the culture of energy that threatens the globe/world in various ways. Incommensurability, the cultural form of chaos, is recognized as dramatically foiling human instrumental rationality, spoiling its hubris or belief in its own progress. The doctrine of incommensurability shows that we can not know what we are doing while we are doing it, for the empirical manifestations of chaos are only knowable after the fact and its effects are unpredictable. This book of essays is divided into two parts: the first dealing with contemporary themes in subjective culture and the second with those in objective culture. A few of the pressing topics treated in this volume are: abstracted information of a computer-based society versus locally-based, grounded knowledge, abstracted neo-liberal economics versus place-grounded economics, the geo-politics of peak oil, and the intensification of natural disasters as a consequence of global warming reveal the tenuous character of the contemporary world.

This book explores the lived experience of being at home as well as being homeless. Being at home or not is typically a matter of being at a place or not, where such a place is carved out of space and designated as such. It is a place that is both empirical and trans-empirical. When one is at home or not at home, one typically has in mind an inhabited place. To inhabit or not to inhabit it is to find oneself in a place that has an affective presence or absence. In either case, affectivity points to a lived place where lived experience is constituted and displayed. Thus, in this context, affectivity becomes more than the subject of empirical psychology. If psychology were to have access, it would be in the context of phenomenological or existential psychology – a psychology that has its roots in the sensible world and, hence, a psychology that expresses an aesthetic dimension. Each of the contributors in this book extends an invitation to the readers to participate in constituting, extending, and sharing with others the sense of either being at home or of being homeless. This book appeals to students, researchers as well as general interest readers.

World War I and Propaganda offers a new look at a familiar subject. The contributions to this volume demonstrate that the traditional view of propaganda as top-down manipulation is no longer plausible. Drawing from a variety of sources, scholars examine the complex negotiations involved in propaganda within the British Empire, in occupied territories, in neutral nations, and how war should be conducted. Propaganda was tailored to meet local circumstances and integrated into a larger narrative in which the war was not always the most important issue. Issues centering on local politics, national identity, preservation of tradition, or hopes of a brighter future all played a role in different forms of propaganda. Contributors are Christopher Barthel, Donata Blobaum, Robert Blobaum, Mourad Djebabla, Christopher Fischer, Andrew T. Jarboe, Elli Lemonidou, David Monger, Javier Pounce,Catriona Pennell, Anne Samson, Richard Smith, Kenneth Andrew Steuer, María Inés Tato, and Lisa Todd.

'Topos in Utopia' examines early modern literary utopias' and intentional communities' social and cultural conception of space. Starting from Thomas More's seminal work, published in 1516, and covering a period of three centuries until the emergence of Enlightenment's euchronia, this work provides a thorough yet concise examination of the way space was imagined and utilised in the early modern visions of a better society. Dealing with an aspect usually ignored by the scholars of early modern utopianism, this book asks us to consider if utopias' imaginary lands are based not only on abstract ideas but also on concrete spaces. Shedding new light on a period where reformation zeal, humanism's optimism, colonialism's greed and a proto-scientific discourse were combined to produce a series of alternative social and political paradigms, this work transports us from the shores of America to the search for the Terra Australis Incognita and the desire to find a new and better world for us.

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles's multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles's work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles's work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.