Imagine an eighteen-year-old American girl who has never read a newspaper, watched television, or made a phone call. An eighteen-year-old-girl who has never danced—and this in the 1960s. It is in Cambridge, Massachusetts where Leonard Feeney, a controversial (soon to be excommunicated) Catholic priest, has founded a religious community called the Slaves of the Immaculate Heart of Mary. The Center's members—many of them educated at Harvard and Radcliffe—surrender all earthly possessions and aspects of their life, including their children, to him. Patricia Chadwick was one of those children, and Little Sister is her account of growing up in the Feeney sect. Separated from her parents and forbidden to speak to them, Patricia bristles against the community’s draconian rules, yearning for another life. When, at seventeen, she is banished from the Center, her home, she faces the world alone, without skills, family, or money but empowered with faith and a fierce determination to succeed on her own, which she does, rising eventually to the upper echelons of the world of finance and investing. A tale of resilience and grace, Little Sister chronicles, in riveting prose, a surreal childhood and does so without rancor or self-pity.

The good, the bad, and the lovely about having a sibling

They were the most famous sisters in China. As the country battled through a hundred years of wars, revolutions and seismic transformations, the three Soong sisters from Shanghai were at the center of power, and each of them left an indelible mark on history. Red Sister, Ching-ling, married the 'Father of China', Sun Yat-sen, and rose to be Mao's vice-chair. Little Sister, May-ling, became Madame Chiang Kai-shek, first lady of pre-Communist Nationalist China and a major political figure in her own right. Big Sister, Ei-ling, became Chiang's unofficial main adviser - and made herself one of China's richest women. All three sisters enjoyed tremendous privilege and glory, but also endured constant mortal danger. They showed great courage and experienced passionate love, as well as despair and heartbreak. They remained close emotionally, even when they embraced opposing political camps and Ching-ling dedicated herself to destroying her two sisters' worlds. Big Sister, Little Sister, Red Sister is a gripping story of love, war, intrigue, bravery, glamour and betrayal, which takes us on a sweeping journey from Canton to Hawaii to New York, from exiles' quarters in Japan and Berlin to secret meeting rooms in Moscow, and from the compounds of the Communist elite in Beijing to the corridors of power in democratic Taiwan. In a group biography that is by turns intimate and epic, Jung Chang reveals the lives of three extraordinary women who helped shape twentieth-century China.

Four acclaimed female authors—including Pulitzer Prize winner Jane Smiley and In the Dream House author Carmen Carmen Maria Machado—reflect on their lifelong engagement with Louisa May Alcott’s classic novel of girlhood and growing up. Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong lifelong personal engagement with Alcott’s novel Little Women—what it has meant to them and why it still matters. Each takes her subject as one of the four March sisters, reflecting on their stories and what they can teach us about life. Meg March by Kate Bolick: The New York Times–bestselling author of Spinster finds parallels in oldest sister Meg’s brush with glamour at the Moffats’ ball and her own complicated relationship with clothes. Jo March by Jenny Zhang: The short story writer of Sour Heart confesses to liking Jo least among the sisters when she first read the novel as a girl, uncomfortable in finding so much of herself in a character she feared was too unfeminine. Beth March by Carmen Maria Machado: The In the Dream House author writes about the real-life tragedy of Lizzie Alcott, the inspiration for third sister Beth, and the horror story that can result from not being the author of your own life's narrative. Amy March by Jane Smiley: The Pulitzer Prize–winning author of A Thousand Acres rehabilitates the reputation of youngest sister Amy, whom she sees as a modern feminist role model for those of us who are, well, not like the fiery Jo. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.

No one knows you better than a sister—your dreams, your fears, your mistakes, and all your secrets. It was just that way when Jess and her older sister, Emily, were children. Born barely a year apart, they were deeply entwined, complementing each other in their differences. When Jess felt awkward and shy, Emily, the consummate big sister, was happy to take the lead. After a long estrangement, they’ve become close again. Jess moves into the comfortable Isle of Wight home Emily shares with her husband, step-daughter, and toddler. Any misgivings about the past are swept away and forgotten. And then, on New Year’s Eve, little Daisy disappears while in Jess’s care. Jess is in shock, unable to remember what happened. Emily, traumatized, watches helplessly as her life unravels. But as the search intensifies and the police detective’s questions grow more pointed, a different picture emerges. Behind the image of a seemingly happy family—Daisy’s doting teenage sister, Chloe, loving father and husband, James, and siblings Emily and Jess—there are devastating deceptions and long-ago choices that can never be unmade. And underlying everything is the story of what really happened to drive Emily and Jess apart years ago. Unfolding through shifting perspectives, Little Sister is a brilliantly plotted, dark, and constantly surprising tale of love, rivalry, and broken loyalty that reveals how far one sister might go to protect—or destroy—another . . .

Winner of the1995 Editor's Choice Lambda Literary Award, this is an insiders' account of how a small gay and lesbian bookstore took the Canadian government to court in a battle over censorship at the Canada-U.S. border.

A collection of excerpts from significant publications seized at the Canadian border as sexually degrading, obscene, or politically suspect. Contains writing by authors such as bell hooks and Susie Bright, and works from publications including Hothead Paisan: Homicidal Lesbian Terrorist #7 and On Our Backs, plus images from a Tom of Finland retrospective. Introductory chapters explain the background of recent Canadian censorship and detail individual cases. Includes bandw illustrations. No index. Annotation copyright by Book News, Inc., Portland, OR