Inspector C.D. Sloan is called in when it is discovered that a large collection of artifacts that has been left to the Calleshire Museum includes a three-thousand-year-old mummy case containing an all-too-recent murder victim.

First published in 1980, Mediations supplements, extends, and deepens Martin Esslin’s earlier writings on Samuel Beckett and Bertolt Brecht. In the third section of this collection of essays, Esslin discusses the mass media as dramatic art and their effects – radio as a medium for drama; television’s insatiable appetite for artistic skills, its commercials, and its series, which he labels modern folk epics. Intimately acquainted with the cultural implications of several languages and ideologies and with the possibility for distortion inherent in translating them, Esslin’s Mediations gathers together decades of his rich experience and reflections on cross linguistic and artistic boundaries, as well as theatre. This book will be of interest to students of literature, drama, and media studies.

A large collection of artifacts is left to the Calleshire museum in the will of a local man once prominent in the British colonial service. But Inspector C. D. Sloan of the local police gets involved when the 3,000 year old mummy case is found to contain a body that's been dead less than a week, in Catherine Aird's Little Knell.

Primal Scenes is concerned with those elements in the thought of Freud and Heidegger which make us continue to regard them as our contemporaries. It seeks to reassert their radical potential, which, the author believes, has been minimized as as critics celebrate the radicality of Lacan, Derrida, and others.