Beyond their status as classic children’s stories, Laura Ingalls Wilder’s Little House books play a significant role in American culture that most people cannot begin to appreciate. Millions of children have sampled the books in school; played out the roles of Laura and Mary; or visited Wilder homesites with their parents, who may be fans themselves. Yet, as Anita Clair Fellman shows, there is even more to this magical series with its clear emotional appeal: a covert political message that made many readers comfortable with the resurgence of conservatism in the Reagan years and beyond. In Little House, Long Shadow, a leading Wilder scholar offers a fresh interpretation of the Little House books that examines how this beloved body of children’s literature found its way into many facets of our culture and consciousness—even influencing the responsiveness of Americans to particular political views. Because both Wilder and her daughter, Rose Wilder Lane, opposed the New Deal programs being implemented during the period in which they wrote, their books reflect their use of family history as an argument against the state’s protection of individuals from economic uncertainty. Their writing emphasized the isolation of the Ingalls family and the family’s resilience in the face of crises and consistently equated self-sufficiency with family acceptance, security, and warmth. Fellman argues that the popularity of these books—abetted by Lane’s overtly libertarian views—helped lay the groundwork for a negative response to big government and a positive view of political individualism, contributing to the acceptance of contemporary conservatism while perpetuating a mythic West. Beyond tracing the emergence of this influence in the relationship between Wilder and her daughter, Fellman explores the continuing presence of the books—and their message—in modern cultural institutions from classrooms to tourism, newspaper editorials to Internet message boards. Little House, Long Shadow shows how ostensibly apolitical artifacts of popular culture can help explain shifts in political assumptions. It is a pioneering look at the dissemination of books in our culture that expands the discussion of recent political transformations—and suggests that sources other than political rhetoric have contributed to Americans’ renewed appreciation of individualist ideals.

“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).

“Seamless in its storytelling and enthralling in its plotting.” —Ft. Lauderdale Sun-Sentinel “Dark and remarkable….Once [Todd] grabs you, there’s no putting the novel down.” —Detroit Free Press The Winston-Salem Journal declares that, “like P. D. James and Ruth Rendell, Charles Todd writes novels that transcend genre.” A Long Shadow proves that statement true beyond the shadow of a doubt. Once again featuring Todd’s extraordinary protagonist, Scotland Yard investigator and shell-shocked World War One veteran, Inspector Ian Rutledge, A Long Shadow immerses readers in the sights and sounds of post-war Great Britain, as the damaged policeman pursues answers to a constable’s slaying and the three-year-old mystery of a young girl’s disappearance in a tiny Northamptonshire village. Read Todd’s A Long Shadow and see why the Washington Post calls the Rutledge crime novels, “one of the best historical series being written today.”

Proper Regency ladies are not supposed to become magicians—but Miss Abigail Wilder is far from proper. The marriageable young ladies of London are dying mysteriously, and Abigail Wilder intends to discover why. Abigail’s father, the Lord Sorcier of England, believes that a dark lord of faerie is involved. But while Abigail is willing to match her magic against Lord Longshadow, neither her father nor high society believes that she is capable of doing so. Thankfully, Abigail is not the only one investigating the terrible events. Mercy, a street rat and self-taught magician, insists on joining Abigail in unraveling the mystery. Mercy is unpredictable, and her magic is strange and foreboding—but the greatest danger she poses may well be to Abigail’s heart. A queer romantic faerie tale of defiant hope and love against all odds, set in Olivia Atwater’s enchanting version of Regency England. Praise for the Regency Faerie Tales “A delightful, romantic romp. The definition of a comfort read.” —Hannah Whitten “Fully a delight! Whimsical, witty, and brimming over with charm.” —India Holton “Sweeps you off your feet in the swooniest way possible.” —Megan Bannen “I wolfed this down with great pleasure.” —KJ Charles “Whimsical but never frivolous, sweet but not sugary. I loved it.” —Alix E. Harrow “A perfect historical fantasy romance: Warm, sparkling with magic, dangerous, and delightful.” —Tasha Suri

Despite their enduring popularity, the "Little House" books, the first of which appeared in 1932, have not been the subject of much sustained critical analysis. The author incorporates her passion for the "Little House" books, which was sparked in childhood, with her grown-up scholarly interest in US women's writing and gendered culture to look closely at the books' voices, characters, and context, and the secrets of their deep appeal. Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR

At an event honoring Daisy Bates as 1990’s Distinguished Citizen then-governor Bill Clinton called her "the most distinguished Arkansas citizen of all time." Her classic account of the 1957 Little Rock School Crisis, The Long Shadow of Little Rock, couldn't be found on most bookstore shelves in 1962 and was banned throughout the South. In 1988, after the University of Arkansas Press reprinted it, it won an American Book Award. On September 3, 1957, Gov. Orval Faubus called out the National Guard to surround all-white Central High School and prevent the entry of nine black students, challenging the Supreme Court's 1954 order to integrate all public schools. On September 25, Daisy Bates, an official of the NAACP in Arkansas, led the nine children into the school with the help of federal troops sent by President Eisenhower–the first time in eighty-one years that a president had dispatched troops to the South to protect the constitutional rights of black Americans. This new edition of Bates's own story about these historic events is being issued to coincide with the fiftieth anniversary of the Little Rock School crisis in 2007.

HISTORICAL FICTION. The Long Shadow is compelling historical novel which tells the human story of the Eastern campaign in Salonika and will appeal to readers of The Island and The Thread.