Michael Whitten looked out at the Pacific Ocean. He was alone, as always. He had just come back from a vacation in Reno, Nevada. He liked it so much, he decided to move there. He wanted to start a new life, have a better life. Little did he know that he would start a new career, and then slip right back into old patterns. What he had planned when he decided to move to the Biggest Little City, would not happen. His life would follow a course decided by fate, and poor decisions. But, none of it would be his fault.

Combining architectural and urban thinking in an unusual and engaging way, this book presents an integrated approach to architectural theory and design. Leon Battista Alberti’s assertion in his famous Renaissance treatise that ‘the city is like a big house, and the house is in turn like a little city’ forms the springboard for a series of reflections on architecture’s relationship with urbanism and how their once intimate symbiosis, unravelled by International Style Modernism, can be recovered. Explicit references to Alberti’s house-city phrase have been made by figures as diverse as the architects Louis Kahn, Aldo Van Eyck, Denys Lasdun and Niels Torp and novelist Italo Calvino. But, as the book shows, thinking of buildings as little cities provides a new lens through which to reappraise the contributions of many other architects, including Le Corbusier, Frank Lloyd Wright, Alvar Aalto, Eliel Saarinen, Bernard Rudofsky, Hans Scharoun, Leon Krier, Fumihiko Maki, Charles Correa and Team 10. In doing so, the author identifies common themes that form an unexpected bridgehead between the urban and architectural approaches of Antiquity, the Middle Ages, Renaissance and 20th century. The book explores buildings from across the globe, including lesser-known projects, such as Wright’s unbuilt house in Italy or Saarinen’s master plan for Cranbrook Academy, as well as more recent projects by Niels Torp, Behnisch Architekten, Sou Fujimoto, Peter Barber and WOHA. It concludes with practical case studies of residential, health, education and workplace projects from different countries, fulsomely illustrated with many drawings and photographs. These show how architectural design viewed through an urban lens provides a conceptual framework for breaking down the scale of large buildings and integrating them with their context. And crucially, these also show a very accessible way of explaining evolving designs to the intended users and eliciting their participation in the design process. The book offers a compelling approach to the design of projects at all scales, within an ecological perspective: the sense that big and small, cities and buildings must be approached holistically if we are to reverse the degradation and depletion of our habitat, both natural and man-made.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.