Section by section, changes in subject, tempo, and even vocabulary offer at once a sense of unity and variety to the poems. Little Boats, Unsalvaged poses a polyphonic inquiry into the experiences and memories of the Vietnam-defined generation, an inquiry whose answers can only be tentative, fretted, hung in the contingencies of being just as the little boat of joy waits - not useless or lost, but abandoned and so beyond visible redemption."--BOOK JACKET.

Featuring essays written by an international team of experts, this Companion maps the dynamic literary landscape of the American South.

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

Lines in Long Array demonstrates the enduring impact of the Civil War on American culture by presenting poems and photographs from both the past and present, including 12 wholly new poems by contemporary poets created especially for this volume. Includes previously unpublished poetry by Eavan Boland, Geoffrey Brock, Nikki Giovanni, Jorie Graham, John Koethe, Yusef Komunyakaa, Paul Muldoon, Steve Scafidi, Jr., Michael Schmidt, Dave Smith, Tracy K. Smith, and C. D. Wright. Also includes historic poems by Ethel Lynn Beers, Ambrose Bierce, George H. Boker, Emily Dickinson, Frances Ellen Watkins Harper, Oliver Wendell Holmes Sr., Julia Ward Howe, Herman Melville, Francis Orray Ticknor, Henry Timrod, Walt Whitman, and John Greenleaf Whittier.

The Room and the World: Essays on the Poet Stephen Dunn is the first book of its kind to explore and unpack the Pulitzer-winning poet’s oeuvre. Including twenty-four essays, a foreword by poet and essayist Dave Smith, and an introduction by Laura McCullough, this anthology illuminates Dunn’s development as a writer, his thematic obsessions, and his strategies and maneuvers on the page; it also locates him in the pantheon of essential American poets. Philosophical, funny, and founded on the juxtaposition of ideas with masterful tonal layering and texture, Dunn’s poems are considered some of the best of his generation. The contributing poets and scholars, including Dunn’s contemporaries and former students, highlight Dunn’s meditations on freedom and constraint, sexuality and sorrow, sound and sense, and the mystery in the dailiness of living. Fans will find this a crucial text that reveals the complexities of Dunn’s poetry and much about the man himself.

Looking Up collects more than a decade of new poems by Dave Smith. These include reflections upon events, animals, and people who prove to have a salutary significance to this poet, now approaching his eightieth year. He ponders the substantial changes wrought by retirement, which brings no expectations, no obligations, no role beyond what one has left, which prompts the question, What will you do now? Both the question and its answers are the subject of Looking Up, as Smith gives us poems as acts of attention, raptures, comedies, sardonic narratives, vignettes of grief and joy whose testimony shows that love is surely our core reality.

In Hunting Men, poet Dave Smith reasserts the validity of poetry in our times. With eloquence, grace, and a searching intelligence, Smith illuminates both poems and poets. Believing that "great poetry cannot be divorced from an intimate, organic link to place," he builds a compelling case for the importance of southern poets. Like the hunters who taught Smith as a young man patience, observation, and willingness to rely on his senses, he leads readers on an expedition through a specific poetic place with a sure sense of direction and destination.Beginning with a discussion of southern poetry that seeks to define the form and its value for a global readership, the first of the book's three sections also includes reflections on Edgar Allan Poe, John Crowe Ransom, Robert Penn Warren, and James Dickey. In the second part, Smith focuses on contemporary poets Richard Hugo, Stephen Dunn, Stephen Dobyns, and Larry Levis, among others. In the final chapters, he examines how he came to be a poet and reflects on the nature and practice of poetry.Smith describes himself as a poet born and raised in the South "but never entirely comfortable with the neighborhood or many of the public assumptions about southernness." By describing why southern poetry is important to him, he reveals why poetry matters to all of us as he asserts the moral weight of regional art. "My success, if it occurs, will be to send readers to the books of the poets where the world, as they knew it, waits and is full of the delights of the unglimpsed and known."