A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.

Harper lands a dream summer internship at a trendy teen magazine in New York City, working as their resident dating blogger, but there is only one problem--she has absolutely zero dating experience.

In the spirit of Anne Lamott and Nora Ephron comes Janze's hilarious and moving memoir about a woman who returns home to her close-knit Mennonite family after a personal crisis.

An essential piece of clothing in a woman's closet, the little black dress has maintained its popularity thought all trends because it is always the "right" thing to wear. It is a timeless classic and all great designers have created their own variation. Didier Ludot owns the most famous vintage clothing store in Paris, the fashion capital of the world. The store, La Petit Robe Noire, is housed in the prestigious Palais Royal, just steps away from the Louvre. Ludot has meticulously built and maintained a collection of black dresses, which features designs by Chanel, Balmain, Balenciaga, and Gaultier, among others. Photographs of these dresses are juxtaposed with archive photos of Romy Schneider, Catherine Deneuve, Jeanne Moreau, Sofia Loren, Edith Piaf, Paloma Picasso, Marilyn Monroe and Elizabeth Taylor - all in their black dress finest. Ludot's collection is a delightful tour of the black dress from yesterday to today.

Since Audrey Hepburn"s show-stopper in Break fast at Tiffany"s, the littlelack dress has become more th an an item of clothing. This book looks at theistory of th is loaded fashion symbol which is a cultural icon that stand sor a woman"s identity. '

Children's Book

At its inception, the ?Little Black Dress?, designed by Coco Chanel, was radically modern: a masculine-inspired, anti-traditionalist female attire ? yet it has remained a wardrobe staple for almost a century. Bringing together international scholars, curators and fashion writers, this volume explores how black?s paradoxical meanings have made the LBD simultaneously expressive of respect and rebellion, sophistication and dissident sexualities, piety and perversion. The book also looks at the smart technologies which are responding to the demand for the fashion industry to be more aware of sustainability.00Exhibition: National Museum of Scotland, Edinburgh, UK (01.07-29.10.2023).