“Fascinating . . . full of insight and a perceptive portrait of Lenin’s single-mindedness and his relentless, all-consuming drive towards revolution in Russia.” —The Guardian Combining Young Lenin and On Lenin in one volume, this is a fascinating political biography by Lenin’s fellow revolutionary, Leon Trotsky. Trotsky on Lenin brings together two long-out-of-print works in a single volume for the first time, providing an intimate and illuminating portrait of the Bolshevik leader by another of the twentieth century’s greatest revolutionaries. Written shortly after its subject’s death, On Lenin covers the period of revolutionary struggle leading up to 1917 as well as the early years of Bolshevik power. We see a man totally committed to the revolutionary cause, whose legacy was later corrupted under the Soviet Union’s Stalinist degeneration. Young Lenin, meanwhile, describes his early years and conversion to Marxism, dispelling many of the myths later created by Soviet hagiography in the process. This is the essential guide for anyone wanting to understand Lenin as a thinker, active revolutionary, and personality.

During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.

Originally published in 1937, C. L. R. James's World Revolution is a pioneering Marxist analysis of the history of revolutions during the interwar period and of the fundamental conflict between Trotsky and Stalin. James, who was a leading Trotskyist activist in Britain, outlines Russia's transition from Communist revolution to a Stalinist totalitarian state bureaucracy. He also provides an account of the ideological contestations within the Communist International while examining its influence on the development of the Soviet Union and its changing role in revolutions in Spain, China, Germany, and Central Europe. Published to commemorate the centenary of the Russian Revolution, this definitive edition of World Revolution features a new introduction by Christian Høgsbjerg and includes rare archival material, selected contemporary reviews, and extracts from James's 1939 interview with Trotsky.

The first truly global history of revolutions and revolutionary waves in the modern age, from Atlantic Revolutions to Arab Spring.

The publishing industry in France in the years before the Revolution was a lively and sometimes rough-and-tumble affair, as publishers and printers scrambled to deal with (and if possible evade) shifting censorship laws and tax regulations, in order to cater to a reading public's appetite for books of all kinds, from the famous Encyclop die, repository of reason and knowledge, to scandal-mongering libel and pornography. Historian and librarian Robert Darnton uses his exclusive access to a trove of documents-letters and documents from authors, publishers, printers, paper millers, type founders, ink manufacturers, smugglers, wagon drivers, warehousemen, and accountants-involving a publishing house in the Swiss town of Neuchatel to bring this world to life. Like other places on the periphery of France, Switzerland was a hotbed of piracy, carefully monitoring the demand for certain kinds of books and finding ways of fulfilling it. Focusing in particular on the diary of Jean-Fran ois Favarger, a traveling sales rep for a Swiss firm whose 1778 voyage, on horseback and on foot, around France to visit bookstores and renew accounts forms the spine of this story, Darnton reveals not only how the industry worked and which titles were in greatest demand, but the human scale of its operations. A Literary Tour de France is literally that. Darnton captures the hustle, picaresque comedy, and occasional risk of Favarger's travels in the service of books, and in the process offers an engaging, immersive, and unforgettable narrative of book culture at a critical moment in France's history.

The theory of Permanent Revolution has been associated with Leon Trotsky for more than a century since the first Russian Revolution in 1905. Trotsky was the most brilliant proponent of Permanent Revolution but by no means its sole author. The documents in this volume, most of them translated into English for the first time, demonstrate that Trotsky was one of several participants in a debate from 1903-7 that involved numerous leading figures of Russian and European Marxism, including Karl Kautsky, Rosa Luxemburg, Franz Mehring, Parvus and David Ryazanov. This volume reassembles that debate, assesses it with reference to Marx and Engels, and provides new evidence for interpreting the formative years of Russian revolutionary Marxism.